The book is far and away a superior telling of the story, because it is not about a boxer. It is about two boxers who have two totally different life trajectories.
James Braddock was a New Jersey working class guy. A wife, kids, a man who was motivated to fight by only one thing: to put food on the table for his family during the dark days of the Depression. Max Baer, on the other hand, was a jovial, charming fellow whose successes as a boxer (his punch carried a powerful wallop that resulted in two deaths) led to a career in Hollywood, liaisons with famous actresses, and the perks of privilege.
Max Baer, incidentally, was the father of Max Baer, Jr of the Beverly Hillbillies, who you may recall as Jethro. Now you know where that Jethro's natural good-naturedness comes from.
Baer's life story is as compelling as Braddock's but in the film you only get hints of it. In the book you get all the details. He was young, strong, cocky, but also carried a measure of anxiety after one of his blows knocked a man cold, permanently.
One of the things I learned was how in the 20's and 30's the sportswriters and promoters played up the ethnic rivalries. The Italian vs. The Irishman. The German vs. The Jew. Baer, though one quarter Jewish, wore the Star of David on his trunks during his later fights.
A feature of the audio book, which I found in the local library here, is a lengthy interview with Braddock himself who lived to be 69 and died in 1974. Braddock is asked about every facet of his life, and every fight. In his thick Jersey accent he makes comments that reveal much about the man, his opponents, and the life of a boxer. It's a tough life.
The book is also about the entire culture of boxing during what some have called its Golden Era. Gene Tunney, Jack Dempsey, Max Schmelling, Joe Louis... they're all there, as well as the promoters, trainers, refs and sportswriters who sought to keep readers' passions stirred even when there was nothing to write about.
As for the film, Ron Howard did a professional job, but it comes across as a cliche of what a Hollywood film should be. Pretty standard fare. Maybe his heart wasn't into it? The soundtrack was manipulative and pointless. Yet, you can still catch a glimpse of what made the Cinderella Man a compelling story when the real James J. Braddock was on the scene. A Comeback Kid. A Seabiscuit. An ordinary many who did an extraordinary thing.
When I finished the book I went and picked up the film again. While watching it on one monitor, I watched the actual Baer-Braddock fight on YouTube. What a contrast. If able, you might want to try it.
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