As noted in yesterday's post, the layout of the seven-story museum is chronological. You begin at the top and work your way down. Each level unfolds a more developed aspect of Andy Warhol's career explorations, from ad agency commercial illustration/design to Pop Art and screen printing, fascination with celebrities, film making and even journalism. And yes, there is a room dedicated to the Andy Warhol Screen Test in which museum-goers can also do a screen test.
This blog post is devoted to the Elephant here pictured, which stands on a small pedestal in the Warhol-Basquiat Gallery. It's been famously observed that the two artists did a lot of collaboration and the results were often dramatic. It would have been interesting to be a fly on the wall as these two created the works here.
When I entered the space, I initially scanned, then panned, the elephant. My eyes were drawn to the Warhol-Basquiat collaborations, bold and brassy, dramatic and uninhibited.
After circling the perimeter of the room, engaging each of the pieces (most of them mixed media) I returned to the elephant, and upon noticing the falling man pattern that spilled over the paper mache creature, I seemed to take more pleasure in the piece. It wasn't just a zebra-striped endangered creature.
As for the subject matter, Warhol had in 1983 produced a series of prints featuring 10 endangered species for Ron and Freyda Feldman. In other words, the sculpture was not unrelated to a theme he'd already shown interest in.
"Elephant" (Side view) |
Here are a couple of the Warhol/Basquiat pieces that were hanging in this room.
Collaboration (Chairs/African) |
Collaboration (Year of the Rat, Rodent (TM)) |
Meantime, art goes on all around you. Engage it.
Basquiat and Warhol: Exploitative or even-handed relationship?
Was Robert Hughes Right About Basquiat?
Warhol's Elephant 293
The elephant is done by Keith Haring! LOL
ReplyDeleteHey, man.... Thanks for the Correction.
ReplyDeleteThis is what I get for engaging with the art and not reading all the tags or plaques and explanations.
Alas...
Again, thanks