Tuesday, December 28, 2021

Tech Tuesday: Interview with Innovator James Yu, Co-Founder of Sudowrite

Photo by Jackson So on Unsplash
In November I read about an AI program that helped writers create stories, write poetry and more called Sudowrite. During a three day trial period I became utterly enthused by the program and used it as much as I was able before the time limit expired. For some reason, I received a weeklong extension and did some additional "playing" with the program, exploring its possibilities and limitations.

When I began sharing come of the collaborative writing on this blog and Twitter James Yu, a co-author of the program, "liked" one of my tweets. After a brief exchange I reached out to see of he would be willing to share a little more about AI, Sudowrite and another shared interest, NFTs.

EN: Which came first, your interest in writing or your interest in technology?

James Yu:
I would say they were intertwined with gaps. I’d always had an interest in storytelling, and wrote lots of short stories as a pre-adolescent. At the same time, I was programming my own little games and experiments in BASIC. I have a faint memory of playing with a very simple markov model where I could input my emails and it would spit out other “probable” emails (this was back in the late 1990s) — that fascinated me, that a facsimile email could appear to be real.

Later I got addicted to creating tools for developers and creatives, and this continues with my work on Sudowrite.

EN: Sudowrite seems to take a different approach to AI-powered writing than the other tools. How many iterations of the program have you produced and where do you see it going

JY: Don’t really know how many “iterations” there have been, but it’s grown organically between me and my co-founder Amit Gupta. We were both part of the same writing circles (mostly consisting of other techies who got into writing fiction). We built it up from a toy, slowly letting word of mouth grow it over time, focusing primarily on creative and literary writers while most other AI writing programs were focused on business users.

EN: The Summer Olympics in China had an AI “newsroom” that generated articles about the various events, much like a journalist. I found the stories to lack feeling. They came across as boilerplate. Some of the poems I create in conjunction with Sudowrite seemed quite evocative. Can you explain what is going on here?

JY: I don’t know the details on how those newsroom AIs were built, but my guess is that they were trained on some sports article templates, and didn’t have much leeway to diverge from them that far. Sudowrite’s poem tool is built on GPT-3, with prompts that focus specifically on modern, evocative free verse poetry. Therefore, the output will also be more evocative.

EN: What is GPT-3? Is this the hardware or the ghost in the machine?

JY: I’m not a GPT-3 expert and the details on its architecture are pretty well known so I won’t go into that specifically. As for the ghost in the machine: we love to anthropomorphize AIs, especially large language models, since at times, they seem to evoke a strong sense of self. It’s no surprise that GPT-3’s reading comprehension has reached almost human level accuracy. Of course, this is all an illusion. It is statistics. A simulacrum. There is no consciousness within the silicon (yet).

EN: Are NFTs a fad like Tulip Bulbs or are they here to stay?

Painting by Jonathan Thunder
who has been a featured artist
in the NFT scene in 2021.
JY:
There’s definitely a lot of tulip bulbing out there right now. The signal to noise is exceedingly small, and even if you’re immersed in the NFT world 24/7, you can easily miss the next fad. The same sort of thing happened in Web 1.0 and Web 2.0 eras: so many companies and products that were ephemeral. But from those eras, certain key technological innovations did survive, so I’m bullish that this random walk down crypto art will also yield lasting value. In particular, the idea of digital ownership will be huge, especially as more of our life moves online.

EN: Looking back over the history of art—especially in the 20th century--I find it somewhat fascinating how creativity has continually found new ways of expression. Will there be galleries like the Louvre or Guggenheim that exist as repositories of AI-generated art?

JY: I believe so yes! The genre of algorithmic art has existed for a while and they’ve already made it into the traditional galleries way before NFTs. But it does feel that this type of art is “native” to the NFT world and it’s encouraged a lot of new artists to tinker with AI in art.

EN: Do you have some “heroes” or mentors in this genre?

JY: I really admire Mario Klingemann (https://quasimondo.com), who’s been doing AI art for a while now, and has also made a serious living from it. I also love how he shares his knowledge and encourages others who might be new to the field.

EN: Why do some creative people become entrepreneurs and others do not?

JY: Don’t know for sure! It probably has to do with a specific type of thinking that makes a good entrepreneur: you have to be obsessed with a particular problem and potential solutions to it, so much so that you would say, “Hey, I’ll quit my job and drop everything to work on this for years with a high risk of failure.” It’s kind of crazy. But if you have that itch, it never seems to go away until you try to see it through to completion. Not all creative people thrive with these kinds of problems.

EN: Who or what were your early influences in this direction?
 
JY: I credit Y Combinator. I was an early employee at one of their companies and saw the rise of the program circa 2006, and eventually started my own YC funded company. The energy at during that era was off the charts. Being surrounded by other people like me who were product obsessed propelled me.

And secondly I would say my IBM 286 computer I got in 1994 was the other cornerstone influence. My parents didn’t give me that much guidance: just let me hack and make interesting things on that machine. That, dovetailed with the rise of the internet, forms a lot of my worldview today.

EN: Thank you, James!

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