May 7 I posted part one of a very warm conversation I had with Geno, as his friends call him, on the topic of all things Dylan. Here is another portion of that conversation.
Geno: I’ve been trying to learn several new songs for this gig and man, it’s a lot of work. I need a teleprompter. Scarlet’s excited. There’s a couple from Desire, one from Oh Mercy that we’re going to do. I think we’re going to do "Man with a Long Black Coat."
EN: "Most of the Time" is one my favorites.
I don’t know how he does it. I’m lucky if I get one or
two a year. He probably writes one or two a day.
We’d be walking down the street and I’d see him pull out
a little piece of paper that’s just jammed with words, and he’d start writing
something down and put it back in his pocket.
It’s an honor to have been able to do that. But I have to
credit to Larry. I wouldn’t have been able to be part of all that if it weren’t
for Larry. He and Bob were very close friends. Larry broke his neck when he was
sixteen and he was in the hospital for a long time. Bob would visit and bang on
the piano. Then one day he said, “I’m going to New York” and Larry said,
“You’re crazy. You’ve got to get a job. You’re flunking out of school.” And Bob
said, “No, I’m going to New York to make music. That’s what I was born to do.”
EN: If it’s O.K. I’d like to hear your impressions of
some of his albums. Let’s start with the first one.
GL: I remember hearing it when I was fifteen or sixteen
at the time. I remember my parents had an old console record player and I
remember laying on the floor with my ear to the speaker and saying, “Holy
mackerel, who is this guy?” I remember having the feeling, “This is the brother
I never had.” That’s a fabulous album.
EN: Second album: Freewheelin’ Bob Dylan…
GL: He was really on fire at that time. Those albums…
it’s just amazing.
GL: How do you write something like that, I just don’t
know. He was certainly on fire, no question about it.
EN: Another Side of Bob Dylan
GL: I think what has impressed me most is his total
confidence, the way he sings a song with total confidence…. And it just makes
it come alive. He’s not about to let things go.
I’ve been told that there are lots of songs in the vault that never got
recorded. Who knows how much there is,
but when he passes there will probably be a lot of new stuff coming out.
EN: Bringing It All Back Home / Highway 61 Revisited /
Blonde on Blonde
GL: I can remember being into folk music when I was young
and I remember thinking, “Oh man, what’s he doing playing electric guitar?” It
took me about two or three times of listening before I said, “Oh yeah.” That’s
what he’s doing.”
That’s happened to me several times where I’ve listened
to an album once and say gee, I don’t know. It takes a while to sink in.
EN: How about the bands he played with over the years?
GL: They were professionals. He hired the best there is.
EN: You were also with him during his Gospel period and then Infidels.
GL: We went into the studio in New York with him at that
time and hung out while he was mixing the album. I remember he brought us into
the studio and played a song called “Angels Flying Too Close to the Ground.”
I’d never heard it before, and I think it had only been released in Europe and
I said, “Oh Bob, that’s the best thing you’ve ever written.” He looks at me
with this scowl and says, “I didn’t write that. That was Willie Nelson.” I laugh about it now but I was embarrassed as
hell.
EN: There’s still so much great material coming out in
later years. Time Out of Mind won a grammy. Love and Theft, Modern Times,
Together Through Life…
GL: You wonder why he keeps pushing himself like that,
but he says, “It’s a business. I’ve got a lot of people who depend on me.”
I say, “You’ve got such stamina.”
He says, “No, stamina is guys like you who get up every
day at six and go to the same job day after day. Me, I’ve got this beautiful
bus and they take care of me and they feed me and I go from town to town and
play my songs and they give me a bucket of money. That doesn’t take stamina.”
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| Gene Lafond and the Wild Unknown with Scarlet Rivera at the Cabooze |
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