Tuesday, May 21, 2013

All Along the Watchtower, Revisited

Every Sunday evening Carmody's Pub in Downtown Duluth offers up a trivia contest, and this week was no exception. Being that we're in the middle of our North Country Dylan Celebration, the theme was properly oriented to the man whose 72nd birthday is being honored this week.

Twenty-five multiple choice questions were presented, and as last year many were pertained to exceedingly obscure details from the life of our contemporary bard. One in particular produced an especially amusing answer. The moderator, a bearded fellow suitably named McKinnon (this being an Irish pub), had asked the question, "Which Dylan song has he played more than any other?" The answer, if you wish to verify, can be found at www.bobdylan.com where the lyrics of every Dylan song can be found, along with the number of times each has been played in concert. Several, like Ballad of a Thin Man and Highway 61 Revisted have been played more than a thousand times, 1082 and 1780 respectively. But none exceeds All Along the Watchtower, which Dylan has played in concert 2,125 times to date. 

It was comical to overhear a group of young people say somewhat confusedly, "But that's a Hendrix song." It has to make you smile.

Hewitt Station performing All Along the Watchtower.
Last night Duluth Dylan Days moved to Beaners Central for an open mic night. Singer/songwriters were invited to sing a Dylan tune and one of their own compositions. Hewitt Station hosted, opening with a gravelly Girl from the North Country. Later in the program Hewitt sang a heartfelt rendition of All Along the Watchtower and one couldn't help but be reminded of the evening before.

* * * 

If anyone is interested in simply studying the poetry of Bob Dylan, that is, to study his songs and their lyrics as poetry, I commend to you John Hinchey's Like A Complete Unknown. Hinchey at one time taught literature at Swarthmore College. He brings insights that often might escape the casually listener, especially in the more surreal and ambiguous songs.

What Dylan does that many (if not most) great writers do, is to derive insight and imagery from direct observations of literal, concrete things. His language, however, explodes with splashes and starbursts of creative exuberance.

Hinchey himself is a vibrant writer, so writer-critic meets songwriter-artist in this 270 page overview of Dylan's poetry from 1961-1969. Hinchey stated his intention to write four subsequent volumes, a decade by decade panoramic overview of the tapestry that Dylan has woven with words.

Hinchey called Dylan's John Wesley Harding album "the comeback of all comebacks." It is an album very different from his previous series of in your face snarl and vim, following on the heels of Blonde On Blonde and Highway 61 Revisited. This was not my favorite Dylan album at the time, in part because I didn't care for the recording quality. It felt thin. But the songs have plenty of meat.

The most evocative song in this collection, and most memorable in part because of Jimi Hendrix's wonderfully haunting rendition, is All Along the Watchtower. From the first line, it carries you into a vivid sandstorm of expectation.


"There must be some way out of here" said the joker to the thief.
"There's too much confusion, I can't get no relief
Businessmen, they drink my wine, plowmen dig my earth
None of them along the line know what any of it is worth.”

"No reason to get excited", the thief he kindly spoke.
"There are many here among us who feel that life is but a joke;
But you and I, we've been through that, and this is not our fate,
So let us not talk falsely now, the hour is getting late."

All along the watchtower, princes kept the view
While all the women came and went, barefoot servants, too.
Outside in the distance a wildcat did growl,
Two riders were approaching, the wind began to howl.

Copyright ©1968; renewed 1996 Dwarf Music

So, what does it mean? Here we are forty-five years later and the song still intrigues. Who are the joker and the thief? What is the moment in time that is being defined here? 

There are a variety of websites where song meanings are discussed. Some of the interpretations of songs are quite amusing, but a brisk read often unveils new glimmers of light for previously shadowed text. Songs like Whiter Shade of Pale by Procol Harem or Horse Latitudes by the Doors will bring on interesting comments. So does this song, wrapped in mystery as it is.

For me it's the first line that gets you. "There must be some way out of here..." Out of these circumstance? Out of this corner I've painted myself into? Out of this world and it's sorrows? The next line unveils a little more. Confusion. "I can't get no relief." The situation is a conundrum that toys with his mind.

Hinchey sees the joker and the thief as representing the sacred and profane parts of his Dylan the trickster, "mythic master of limits and boundaries." Hinchey writes that the difference between the two, both here and elsewhere in Dylan's work, "is that the joker merely evades limits; the thief finds ways to render them permeable."

The commentary in Hinchey's book is too lengthy to re-record here. Needless to say that he and others writing of the song see in it an "apocalyptic moment" toward which this scene is leading. I myself get mesmerized by how much vivid content this tightly coiled song contains while still remaining shrouded.

What follows here is an alternative shade of interpretation from one of the websites I noted where people share their attempts to explain lyrics. This was posted by someone with the handle eveland on 11-30-2004.

I remember reading an article about this song when it first came out (I believe 1968) by Paul Williams in Crawdaddy magazine, which was a cheaply produced, but very serious, intellectual magazine published by Williams. The thing that stuck with me from the article was that Williams compared the structure of the song to a moebius strip (because the starting point of the lyrics is actually in the middle of the song & the song opens with the middle part of the lyrics) & felt it gave the song a claustrophobic feel (because you come into it & leave it in the middle). The starting point would be "All along the watchtower" & then after the line "Two riders were approaching, the wind began to howl", the next line would be "There must be some way out of here," said the joker to the thief", the joker & the thief being the two riders who were approaching, of course. This makes perfect sense to me & seems right. As far as the actual meaning, my own opinion is that it's a philosophical piece about how one finds meaning in a chaotic & very imperfect world. The joker sees this world & can't take it seriously because it's so false & is depressed because he can't find a way to make sense of it. The thief has come to this same realization in his past, but has found a way to move beyond it & create his own meaning. So it is, in effect, a parable about existentialism. Or maybe I'm totally wrong... 

As I was saying, the song toys with your mind. Pure Dylan.

Tonight you will not want to miss Dylan movie and music night at Redstar Lounge at Fitgers. John Bushey has assembled an underground film collage of live Dylan performance which will be shared beginning at 8:00 p.m. Music by Snobarn to follow. Celebrate with us.

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