Thursday, September 17, 2020

Throwback Thursday: Red Carpet for Red Interactive

IN SEPTEMBER 2011, as part of the Phantom Galleries Project, John Heino and I curated a joint show in the New York Building of Superior called Red Interactive. Here's a glimpse, with additional links at the end.


This is it. The days are flying off the calendar like autumn leaves during a late season Nor'easter. The Red Interactive roll-out is rumbling into town this week. For those unfamiliar with the show, Red Interactive is an experimental art initiative conceived by Ed Newman and John Heino.

The open house, billed as a "must" event on the Twin Ports arts calendar, will be the evening of Thursday, September 22, but tomorrow we're slated to begin claiming the space at 1410 Tower Avenue with a full-scale setup scheduled for Tuesday the 6th.

There are still plenty of unknowns. For example, this week a surprise package of artwork arrived from China, each piece featuring a tribute to the color red. We have no idea where the next package of red art will come from, or what it will be.

Another component of the open house will be the 3-D Red Collaborative Sculpture. We're asking everyone who comes to the opening to bring something red that they can add to the "public sculpture." Whether it's a red key to a red door or a lock of red hair, we'll find a place for it... or ask you to.

The red-themed objects d'art will become a backdrop for red-themed performance -- music, dance, poetry. What's more, opening night will be catered by The Red Mug... and there may even be some red wine.

Parallel to this physical show, space and performances, Red Interactive will continue to maintain its virtual space on Facebook, which is serving to catalog the thread of interactions from our various artists, participants and friends. Some elements will move back and forth between physical and virtual Red Interactive spaces. This is open architecture. We welcome all artists, creative thinkers and people who simply enjoy art--particularly experimental projects. The only boundary is that this is a public arts project, so we ask that all physical and virtual contributions are appropriate for public display.

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