I've been in love with the work of Carla Hamilton and Elizabeth Kuth from the first time I encountered it. Their current exhibitions at the Duluth Art Institute Depot Galleries only confirms this impression. For sheer boldness, Carla Hamilton's Gezielt (Targeted) is unlike anything I have ever seen. The juxtapositions of the various images and eclectic mix of styles left me stirred and the opposite of speechless. I found myself talking with everyone I could about what was there, perhaps in an effort to get a handle on it or process it.
Elizabeth Kuth's show in the Morrison Gallery, Rooted Expression, clearly reflects her maturity as an abstract painter -- powerful, exploratory, evocative, engaging. The pieces are darker, deep and at home here in this space. And the space is large enough that one is able to stand back far enough to take it in.
The Emerging Photographers show in the Corridor Gallery makes for a great dessert--or appetizer if you came up through the elevator there. I regret not having more time, but had fun meeting some of the students whose work comprised this show.
 |
| Jeffrey Larson's Pheasants |
There was a very brief introduction of the artists at one point and a reminder of upcoming artist talks. Though it was also the closing night for the member show, the Great Hall was muted by all the excitement generated upstairs. One thing I did notice, however, was that there seemed to be a few more political statements this year than in years past. No doubt a sign of the times.
I'll be sharing more from in the days ahead.
 |
| @PantsOnFire by Patricia Lenz |
 |
| The Killing Chair by Kris Nelson |
 |
| Parisian Portraitist by Matt Kania |
There's plenty more to say. This is just a taste. Be sure to read the backstory about Carla Hamilton's show which appeared in
yesterday's DNT.
And don't miss next week's show at Trepanier Hall featuring Ugandan artist Steveboyyi Makubaya. March 4 at 6:30 p.m.
Meantime, art goes on all around you. Engage it.
No comments:
Post a Comment