Showing posts with label Caitlin Robertson. Show all posts
Showing posts with label Caitlin Robertson. Show all posts

Saturday, December 24, 2011

Caitlin Robertson’s Coyote Blues

In November I interviewed Minnesota singer/songwriter Caitlin Robertson who is currently trying to raise money for a second CD of her folk-rock-country-pop songs, Wintersong. In December her threesome, Caitlin Robertson and the Dusty Roads, opened for another Twin Cities group at The Rex (the old Fitgers Tap Room) and I was able to purchase a copy of her first CD titled Coyote Blues, which I have been listening and re-listening to. And I like it.

There are a whole slew approaches to making music. For some groups the song is simply an excuse for break-out jams in between verses. For other groups, it’s all about the message, the story, the words. Robertson weaves both music and words into a lyric whole.

My first impression of the album is its clean sound and high production values. The songs involve a range of musicians in various combinations from acoustic guitars, keyboards and percussions to fiddle, mandolin, upright bass, electric bass, steel and slide guitars and vocal harmonies.

My next observation is that Robertson’s songs demonstrate a serious effort to craft original images and touch universal themes in new ways. I was very pleased to find that the CD includes an eight-page booklet with acknowledgements to the other artists involved with her project as well as all the lyrics to her poetic songs.

The opening track, Red Barn So Lonely, begins this way:

Red barn so lonely
Rooftop white with snow
Doors hang open
Swallow breath-stealing cold…

I hear William Blake in this simple description which easily becomes a metaphor for so much more. The song continues with lines like “frozen quilts of stars” and “ice covered wings” as the narrator struggles to regain hope, to re-connect with lost dreams.

Robertson’s lilting, lyric voice has a childlike innocence as it soars through airy high spaces. She's easy to listen to. But she’s not the innocent you expect as you learn she’s past her thirtieth year and has had enough life experience to know it has painful as well as rewarding contours.

I’d be interested in learning who she’s singing to when she sings Meet Me In Port Townsend, the second track. The Photographer is another song that tells a story in song, followed by Feeding the Vultures, Sally Ireland and the Ice Cream Song (Meltin’ Fast).

Coyote Blues, from which the album takes its name, is a story about two cowgirls who meet a coyote while walking into town one afternoon. It’s an intriguing song with an interesting twist, including a coyote howl that will take you places.

Two of my favorite songs on the album are Bar Napkin and Losing You. Bar Napkin begins…

Bar Napkin, bar napkin
Won’t you dry my tears
Won’t you record my poems
Take away the years

It’s been a long time
Since I felt young
Oh what a mess
This life has brung….

The song brought back a memory from my own youth when I felt old and had seen so much, felt I had been through so much. In the song the narrator recounts a decade of her life from young barmaid to present, weary and looking for a fresh bar napkin to start on again.

I find it interesting when songwriters mention their actual ages. Paul Simon once wrote, "I was 21 years when I wrote this song; I'm 22 now and I won't be for long... and the leaves that are green turn to brown."

The song also brought back memories of my year in Mexico where tortillas, like bar napkins, serve a variety of purposes, from hot pad, to soup spoon, to even being a napkin. I never saw anyone write on poem on a tortilla, but it’s a sure thing this south o’ the border food staple has been the subject of more than a few poems.

Losing You corrals a painfulness that could put moisture in the corners of your eyes, a song of loss and heartbreak. It’s not the belt ‘em out blues of Janis Joplin. It’s more Melanie and Linda Ronstadt, a high clarion call perhaps not unlike the Sirens that tormented Ulysses. (O.K., I’m probably over-reaching there.)

Read the interview here to learn more about Caitlin Robertson and her current project. Be sure to enjoy the video. You won’t receive her CD by Christmas any more, but if you get a little Christmas money from grandma, it might be something to add to your collection.

click images to enlarge

Tuesday, November 22, 2011

Ten Minutes with Singer Songwriter Caitlin Robertson

I met Caitlin Robertson in 2010 as a judge in the Beaners Central Singer/Songwriter Contest. There were a number of very talented artists who performed that night, and Caitlin took second in the competition. Having stayed in touch, she recently shared that she is striving to raise money to produce a second CD. Here’s a little about her life in music, which I share in the hope that some of you might feel moved to help her in this project.

Ennyman: Where does your knack for songwriting come from?
Caitlin: It probably helps that my parents and older brother all have a Master's in English. I grew up in a pretty literary-minded family. We were always reading aloud to each other and crying over sad poems and such. I followed in their footsteps to a certain extent by getting my Bachelor's in English at St. Olaf College. But I think my interest in songwriting started well before I was aware it was something I wanted to focus on.

I became obsessed with reading the lyrics on CD jackets starting when I got my first CDs in junior high such as Jewel's "Pieces of You" given to me by my older brother and Lucinda Williams' records that my father introduced to me. As I began high school I started finding many other artists that I loved. I don't think I realized at the time that I wanted to write songs, but the poetry in the lyrics I read really resonated with me. Lucinda Williams' and other artists' (such as Emmylou Harris, Iris DeMent, Dolly Parton, Linda Ronstadt, Gillian Welch, and the McGarrigle Sisters) beautiful lines etched themselves into my heart with the truth, pain, beauty and love they spoke of. I could sing along for hours. In high school people told me that I was a good writer but I didn't try writing poetry really until college when I took a "Creative Writing" class with Jim Heynen (acclaimed writer) my senior year. After that I was hooked on writing poetry, and then when I moved to the Northwest in my early 20s, I started putting my first poems into songs. I just thought I would try, and then it became something I wanted to keep on doing. I think writing songs is like putting together a puzzle for me. I love writing period. But songwriting combines two things I love into one. I think songwriting is a great challenge because you have to (or get to) say as much as you would in another form of writing in less words. Plus it has to be musically interesting, too.

Enny: Which comes first, the tune or the story? Do you have a standard process?
Caitlin: When I first started writing songs, the story always came first, because I began by transforming poems I had already written into songs. So this meant changing some of my more elaborate, verbose poetry lines into phrases that were simpler and would fit rhythmically into a given melody and time signature I had chosen. Now I do it both ways--sometimes I still start with just the story, but I have begun to find it easier and more enjoyable to pick up my guitar when I have an idea for a song and write the music and lyrics somewhat simultaneously. Sometimes I'll finish a song in one sitting and I won't be able to get up until it's finished (usually an all-day process), and other times I have to come back to it the next day. I always need to return to a started-song soon though, or it becomes one of my "never-finished-starts-of-songs" in one of my many notebooks.

Enny: You call your style folk-rock. Can you elaborate on that?
Caitlin: I call my style "folk-rock-country-pop". Lucinda Williams is probably my greatest influence, lyrically and musically. I adore her music. I believe the folk-rock-country influence comes from listening to artists such as Lucinda, as well as listening to my parents' old Emmylou Harris and Gram Parsons records. Growing up on a sheep farm 7 miles north of a small town in rural Minnesota probably helped to form my writing and musical styles as well. I have been told that some of my songs have a slight "pop" twist to them. When I was younger I might have taken the "pop" label as a diss, but now I like it because I feel like my songs do have a "pop" (modern) aspect to them. But I have also been told my songs have an older feel to them. My hope is that most of my songs will be considered timeless, and that people of different generations and diverse musical inclinations will be able to connect with them in some way.

Enny: How did you come to make the guitar “your instrument”?
Caitlin: I started out on the flute and tin whistle in junior high and then in high school I fell in love with the piano. In college, my dad gave me a black Takamine guitar and I started playing around with it from time to time. I had too many other interests at the time to really focus on learning how to play the guitar, but then when I moved out to the Northwest in my early 20s, I started teaching myself more seriously and took a few lessons. I find the guitar lends itself to my songwriting process more than the piano has been able to in the past. That being said, I look forward to trying to write some songs on the piano in the near future.

Enny: A lot of people make CDs these days. What will be different about yours that makes it more than just something your friends will enjoy?
Caitlin: I believe that my songs and my "sound' are unique and I hope that people will be able to connect with the stories, landscapes, and feelings that I describe. Perhaps these connections might add to their own understandings of their own experiences. I think people will enjoy that I explore (through my songs) dark sides and emotions but I don't stay in the dark for too long, because there is also so much beauty and light in the world to help keep us hopeful, too. My highest hope is that at least a few of my songs will be considered timeless, and that people of different generations and diverse musical inclinations will be able to connect with them in some way.

Enny: Where do people send the money you’re trying to raise for this project?
Caitlin: "Coyote Blues" my first CD, will be released in December of 2011. You can watch my CD promo video on the Media page of my website, www.caitlinrobertsonmusic.com/media

If you like what you hear, please consider checking out my new Kickstarter project, "Caitlin Robertson Wintersong EP". Kickstarter is a really neat platform for independent artists to raise money for their projects. My goal is to raise $3,000 to record my Wintersong EP (my second album) by the end of February 2012. But here's the catch. I have to raise ALL of the money by January 8th, or the money will be refunded to my backers. I really want to make an EP of winter songs that I have already written, so I'm really hoping my project will be funded and I'll be able to make my Wintersong EP happen in 2012!!! You can find my project and a fuller description by going to www.kickstarter.com and searching for "Caitlin Robertson Wintersong EP" OR you can go to my website, www.caitinrobertsonmusic.com and you will find a link to my Kickstarter project on my homepage, OR you can click here.

I hope you will check out my site and spread the word. Every little bit helps me toward my goal! And I have fun rewards for all of my Kickstarter Project Backers. Visit my Kickstarter site to find out what they are!

Enny: Where did the album title come from?
Caitlin: The title "Coyote Blues" is both the title of my first album and the 7th song on the album. "Coyote Blues" tells the story of two cowgirls on a walk, who meet a Coyote that teaches them to sing the blues. The song is about recognizing the amazing experience of seeing such a beautiful animal (a Coyote) in front of them, and about learning something from this animal. It's about overcoming fear in order to enjoy the beautiful mysteries in life. I think that is a theme that is present in a lot of the songs on my album.

Enny: Here's an excerpt from a review about Caitlin's music.
"Caitlin Robertson's songs tell emotional, place-based narratives that conjure up images that range from lonely red barns, heartache as barren as the Sierra Hills, aging waitresses, melting ice cream cones to the fragile face of a baby sleeping in the night. The songs on "Coyote Blues" show the depth of attention Caitlin gives to the people and landscapes that surround her, and her ability to beautifully articulate her experiences to others through her music. they describe universal emotions in thoughtful ways as well as demonstrate an urgency to live in the moment--to "live foolishly. Many of Caitlin's songs have a sweetness and hopefulness to them, but "Coyote Blues" as a whole is sad and world-weary enough to avoid being criticized for its naiveté."

You can pre-order "Coyote Blues" at www.caitlinrobertsonmusic.com/music to have it sent to you by December 2011, when it will be released.

You can check out her Facebook music page at: www.facebook.com/caitlinrobertsonmusic

EdNote: Caitlin Robertson will be here in Duluth for her Northland CD Release at Beaners on January 21. If you're in the neighborhood, do join the celebration.

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