Showing posts with label Double Dylan. Show all posts
Showing posts with label Double Dylan. Show all posts

Saturday, October 25, 2025

DIGITAL WORLD (To the tune of Political World by Bob Dylan)


Digital World

To the tune of Political World by Bob Dylan

We're livin' in a Digital World
Love don’t have any place
We’re living in times where bots commit crimes
And crime don’t have a face

We're livin' in a Digital World

Pixels hanging down

Wedding bells ring on a VR screen

Clouds cover up the town


We're livin' in a Digital World

Wisdom is thrown into code

It rots in the cloud, misguided and loud

Leaving no one to lighten the load


We're livin' in a Digital World

Where mercy walks the plank

Life is in filters, death disappears

Up the steps into the data bank


We're livin' in a Digital World

Where courage is a thing of the past

Avatars are haunted, kids are unwanted

The next scroll could be your last


We're livin' in a Digital World

The one we can swipe and feel

But there’s no one to check, it’s all a stacked deck

We all know for sure that it’s real


We're livin' in a Digital World

In the cities of endless scroll

Little by little you turn in the middle

But you’re never sure what’s in your soul


We're livin' in a Digital World

Under the algorithm's scope

You can travel anywhere and doomscroll there

You always got more than enough dope


We're livin' in a Digital World

Turning and a-thrashing about

As soon as you’re awake, you’re trained to partake

What looks like the easy way out


We're livin' in a Digital World

Where peace is not welcome at all

It’s turned away from the feed to wander indeed

Or put up against the wall


We're livin' in a Digital World

Everything is hers or his

Climb into the stream and shout out a meme

But you’re never sure what it is


In collaboration with Grok, @ x.com

Double Dylan by ennyman, composition by Gemini 

Wednesday, May 16, 2018

Anniversary of the First Rock Double Album, Bob Dylan's Blonde On Blonde

May 16 was the birthday of Liberace, Pierce Brosnan, Henry Fonda and Janet Jackson. It's also the 52nd anniversary of the release of Blonde On Blonde, Bob Dylan's seventh studio album, recorded in New York and finished in Nashville. Dylan spent three months recording in New York before making a famously influential decision to complete the album in the heart of Tennessee's country music scene. Only one track from the New York sessions actually a made it to the album.

TRIVIA: What Simon & Garfunkel song purloins a line from the first track of Blonde On Blonde? (answer below)

Why did Dylan go to Nashville after investing so much time in producing something with The Hawks, his backing band whom he'd travelled the world with? Well, the Hawks' background was primarily as performers, not session musicians. It was his encounter Charlie McCoy*, a Nashville studio musician, that prompted him to take his new material to Nashville in search of that famous sound he was seeking to capture.

This saga was the central theme in an exhibit called, Dylan, Cash and the Nashville Cats that was on display from 2015 to late 2016. There was also a book by the same name, which triggered this blog post that fall.

Blonde On Blonde has come to take on new significance for me personally as we head toward the 2018 Duluth Dylan Fest which begins this weekend. Dylan is turning 77 next week, which is obviously a Pair of Sevens. Blonde On Blonde is not only a pair of blondes, but it is also the first Rock Double Album and listed as #9 in Rolling Stone's Greatest 500 Albums of All Time.

But the Double Dylan you see on our pins next week and some of the art you'll see as well as our posters has still more echoes. His zodiac sign (born May 24) is Gemini, The Twins. He was born in the Twin Ports here in the Central Hillside, a relatively short distance from a Skyline Parkway swimming hole called Twin Ponds. The home, where we will celebrate his birthday next week, was a Duplex. Though he grew up in Hibbing his first home away from home was in the Twin Cities.

The visual representation was inspired by Andy Warhol's Double Elvis, which Dylan actually saw in person while in the company of Warhol at his Factory.

* * * *

If you join us at Carmody's for Dylan Trivia on Sunday (9:00 p.m.), there may be a need to memorize all this in order to know one of the answers. Maybe.

...are Still A-Changin'.
Related Links
Inside Dylan's Blonde On Blonde (in case you didn't click the link above)
Robert Zimmerman's Family History
Dylan Fest Schedule (in case you didn't click on the link above)
Billboard piece on 50th Anniversary of this Vivid, Warm, Biting Album.


TRIVIA ANSWER: A Simple Desultory Philippic (Or How I Was Robert McNamara'd Into Submission) from Parsley, Sage, Rosemary and Thyme. "Everybody must get stoned."

*No relation to the bond trader Sherman McCoy in Tom Wolfe's Bonfire of the Vanities.

Popular Posts