While doing research on Gordon Lish I came across a very interesting discovery. This guy, former editor for Esquire magazine from 1969 to 1977, completely changed writers' works. So much so that the original, when compared to the stripped down finish, might conceivably be unrecognizable.An October 2007 New York Times article, When We Talk About Editing, revealing the deep cuts Lish made in Raymond Carver's work is eye opening. Astounding, actually.
What is especially interesting to me is that when I was first writing fiction, a New York friend in the publishing business said my work was O.K. but to see what great writing really looked like I should read Raymond Carver who exemplified the new minimalism in literature.
Now, more than two decades later, I discover Carver is not what everyone thought he was. Or rather, the Carver that critics called "great" was actually Gordon Lish. How can this be?
Editors do play several important roles when it comes to writers. I am grateful for having had some very good editors massage my work at times. A takes a second set of eyes to see that two ideas in a paragraph may not be linked very well, or that a meaning is ambiguous, or that a sentence is clumsy. Young writers are more likely to get repeat jobs if they don't mind this attention to detail by a second pen.
Here's the opening paragraph of the Times piece.
''One More Thing'' is the final story in both ''What We Talk About When We Talk About Love,'' Raymond Carver's breakthrough collection from 1981, and ''Beginners,'' a proposed volume of what Carver's widow, Tess Gallagher, and some scholars, consider Carver's original versions of the same stories. They were later trimmed and sometimes reshaped by Gordon Lish, Carver's first editor. In the story L. D. is threatening to walk out on his wife and family.
Check out these two versions of the end of one of Raymond Carver's more famous stories, revealing how the piece was originally submitted and what readers saw after Dr. Lish applied the scalpel.
What do you think?
''One More Thing'' is the final story in both ''What We Talk About When We Talk About Love,'' Raymond Carver's breakthrough collection from 1981, and ''Beginners,'' a proposed volume of what Carver's widow, Tess Gallagher, and some scholars, consider Carver's original versions of the same stories. They were later trimmed and sometimes reshaped by Gordon Lish, Carver's first editor. In the story L. D. is threatening to walk out on his wife and family.
Check out these two versions of the end of one of Raymond Carver's more famous stories, revealing how the piece was originally submitted and what readers saw after Dr. Lish applied the scalpel.
What do you think?