Showing posts with label Peter Paul Mary. Show all posts
Showing posts with label Peter Paul Mary. Show all posts

Friday, October 28, 2022

Brother, Can You Spare A Dime? A Song About Hard Times

I still like to listen to my old vinyl records and one of the songs that really sticks with me from the Peter, Paul & Mary archive is "Brother, Can You Spare A Dime?" The Great Depression may have been an exceptionally challenging time for Americans (25% unemployment) but it did generate some heartrending folk songs, which demonstrates how the spirit continuously strives to rise above the mud, mulch and muck, by means of creative expression. Heartbreak unites us because we all share a common humanity.

According to Wikipedia, the lyrics were written by Yip Harburg and the tune by Jay Gorney for the 1932 musical revue Americana.* The melody is actually borrowed from a Russian-Jewish lullaby.

Though most Broadway musicals feature upbeat songs, this one was composed in a minor key. The tone of the lyrics required a similar aural treatment. Over time it has be recorded by a wide swath of performers.

Bing Crosby & Rudy Vallee made it popular in 1932, essentially a song about the impact of the Great Depression upon the common man. Try to imagine what we would be seeing if we had 25% unemployment today. That's what our grandparents (or great grandparents if you're younger) dealt with. I remember my mom telling us how her dad would carry home a 100 lb. bag of navy beans on Saturdays and "that's what we would eat all week."

Others who performed or recorded this song have included Al Jolson, George Michael, Jorma Koukonan, Tom Waits, Judy Collins, Peter Paul & Mary, Dr. John, Abbey Lincoln and dozens more.

The song was quite controversial in its day. There were business leaders who saw the song as "a dangerous attack on the American economic system," so they sought to have it banned from the radio. William Zinsser, who taught writing at Yale, wrote that radio stations banned it for being "sympathetic to the unemployed".  Hmmm.

Here are the lyrics:

Once I built a railroad, made it runMade it race against timeOnce I built a rairoad, now it's doneBrother can you spare a dime?Once I built a tower to the sunBrick and rivet and limeOnce I built a tower, now it's doneBrother can you spare a dime?Once in khaki suitsGee, we looked swellFull of that yankee Doodle De DumHalf a million boots went slogging through hellI was the kid with the drumSay don't you remember, they called me AlIt was Al all the timeSay don't you remember, I'm your pal!Brother can you spare a dime?Once in khaki suitsGee, we looked swellFull of that yankee Doodle De DumHalf a million boots went slogging through hellI was the kid with the drumSay don't you remember, they called me AlIt was Al all the timeSay don't you remember, I'm your pal!Brother can you spare a dime?Buddy can you spare a dime?


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EdNote: Information about this song's history came from a Wikipedia entry about the song.

Tuesday, September 14, 2021

Blowing In The Wind: Pretty Straightforward, Isn't It? Or Is It?

Proverbial wisdom: the accumulated ethical values of ordinary people in early modern England. 

Young Bob (Illus. by the author)
Bob Dylan wrote this timeless song in 1962, the year he turned 21. It appeared on his second album, The Freewheelin' Bob Dylan, in 1963.

I frequently like to examine what young Dylan was doing and compare it to what was happening in the popular culture. Some of the "big hits" of 1962, when he wrote this, included The Twist (Chubby Checker), Mashed Potato Time (Dee Dee Sharp), I Can't Stop Loving You (Ray Charles), The Loco-Motion (Little Eva), and Stranger on the Shore at #1 by Acker Bilk. 

Dylan first performed a two verse version of this song at Gerde's Folk City (See Peter McKenzie's book (Bob Dylan: On A Couch & Fifty Cents A Day) for more details about this time in the young singer/songwriter's life. The date of that performance was in April, so he was still twenty.

The past few days a group of Airstreamers has been in town on a journey from the North Country here down into the deep roots of the blues, taking in the Crossroads, Memphis and other historic places from music history. One of them mentioned to me how she didn't know, like many others, that "Blowin' in the Wind" was not written by Peter, Paul & Mary.

The song has been recorded extensively by other artists including a German version by none other than Marlene Dietrich. 

Much has been written about this song through the decades and it's message never seems to grow stale. By means of a few simple questions it forcefully cuts to the root of a number of issues. 27 years later Dylan would use this same technique of asking questions in a lyrical format, except the questions are turned inward. "What good am I if I'm like all the rest, if I just turn away when I see how you're dressed?" ("What Good Am I?", Oh Mercy) This rhetorical style is repeated two tracks later in the song "What Was It You Wanted?" There's nothing ambiguous about the first, and plenty of fog, shadow and mist in the second.

Blowin' in the Wind

How many roads must a man walk down
Before you call him a man?
How many seas must a white dove sail
Before she sleeps in the sand? *
Yes, and how many times must the cannonballs fly
Before they're forever banned?
The answer, my friend, is blowin' in the wind
The answer is blowin' in the wind
Yes, and how many years must a mountain exist
Before it is washed to the sea?
And how many years can some people exist
Before they're allowed to be free?
Yes, and how many times can a man turn his head
And pretend that he just doesn't see?
The answer, my friend, is blowin' in the wind
The answer is blowin' in the wind
Yes, and how many times must a man look up
Before he can see the sky?
And how many ears must one man have
Before he can hear people cry?
Yes, and how many deaths will it take 'til he knows
That too many people have died?
The answer, my friend, is blowin' in the wind
The answer is blowin' in the wind

© 1962 by Warner Bros. Inc.; renewed 1990 by Special Rider Music

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A lot has been written about this song. You can learn more about nearly any song on Wikipedia. The song was inducted into the Grammy Hall of Fame in 1994. Ten years later it held the #14 position in Rolling Stones' 500 Greatest Songs of All Time.

* "And the dove came in to him at eventide; and, lo, in her mouth an olive-leaf plucked off: so Noah knew that the waters were abated from off the earth." --Genesis 8:11

Related Links

A Visit with Peter McKenzie, Author of Bob Dylan: On A Couch & Fifty Cents A Day (Part One)

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