~Salvador Dali
Without doubt he was talented. And an individualist with enormous ego. Said Dali, “At the age of six I wanted to be a cook. At seven I wanted to be Napoleon. And my ambition has been growing steadily ever since.”
Was Dali’s bizarre style a put-on to increase his marketability or was he simply a madman whose talents brought him critical acclaim, despite his ludicrous behavior?
According to the Masterpiece Paintings Gallery website, "Dali's ego and need for attention were never satisfied. His thirst for scandal was unquenchable. And 'the thought of not being recognized was unbearable', he said. He used to walk through the streets of New York ringing a bell whenever he felt people were not paying him enough attention. 'Every morning when I wake up I experience an exquisite joy -- the joy of being Salvador Dali -- and I ask myself in rapture what wonderful things this Salvador Dali is going to accomplish today.'”
As an art student I found Salvador Dali’s sensational work remarkably invigorating and inspirational. Inspirational on two levels… first, his extreme attention to detail and the skill of his painterliness, and second, for the evocative quality of his imagery.
Steve Martin, in his autobiography Born Standing Up, in passing mentions an incident during a visit to the Museum of Modern Art in New York whereupon he comes across Dali's Persistence of Memory. Martin was quite surprised at how small it was. Like Martin, the first piece I saw in person was this famous painting of melting clocks. At the time, Picasso’s stunning Guernica was on the wall just before I reached Dali’s piece. Guernica is enormous, and impressive. Just around the corner Dali’s Persistence of Memory was, in contrast, a tiny little thing, yet astonishing in its detail. When you look at plates of paintings in art books, both paintings might take a page of the book, and your mind just doesn’t quite grasp the reality.
My second Dali was the shocking/fascinating Soft Construction with Boiled Beans - Premonition of Civil War which hangs in a private collection at the Philadelphia Museum of Art. This is a wonderful museum, with the Dali piece accompanied by some of Marcel Duchamp’s most significant works, a great place to hang out if you are a masterpiece.
But if you seriously want to take in more than a piece or two, I strongly recommend you visit the Dali Museum in St. Petersburg, Florida which is wholly dedicated to this icon of Twentieth Century Surrealism.
While visiting the Dali Museum two springs ago, a tour guide told us a story about small sculpture composed of a lobster sitting on an old fashioned telephone rack. Dali, while dining, threw the lobster over his shoulder and it landed on the phone after knocking the handheld part off the receiver. He loved the look and made it “art.” Crazy or creative?
But the story that sealed my impression that he was a bit mad was when the tour guide said he went through a brief period in which he refused to say any two sentences in a row in the same language. So he would say something in Spanish, then French, then English, then Spanish, etc. This went on for days, maybe weeks. You can imagine the conversations that followed… or didn't.
If you've never been and you're anywhere near Tampa/St. Petersburg, you owe it to yourself to visit the Dali Museum. In contrast to Persistence, you will see fifteen foot high paintings like the Hallucinogenic Torredor, along with many rooms of other major works. The Torreador alone is worth the visit.
Although among the Surrealist Movement's brightest lights in the 1930's he was eschewed by these famous artists who composed the Dada Movement because Dali was a capitalist and they were socialists. As it turns out Dali mastered the art of making money, which contributed to his legacy. On the flip side, his mass production of prints of his work resulted in scandals that in some circles has damaged his name. It may be because his definitions of truth and ethics are as ambiguous as his motivations.
Here is a YouTube film that reveals the character of Dali's mind: self absorbed and over stimulated.