Two Books, Two Movies

As far as I'm concerned, it was a pretty weak year for films. What I mean is that beginning with spring there were almost no compelling movies playing at the theaters till the very end of 2007. Pirates III with Johnny Depp got a nod from critics and fans as better than Pirates II, but it wasn't enough to make me want to give up an evening or afternoon. I have plenty else on my plate, thank you. I took a chance this fall on Across the Universe, which was entertaining. But for the most part, I did my movie watching at home.

On the other hand, I have read or listened to a lot of very good books this year. One way to get more reading time squeezed in to your life is to listen to books while you commute. Any good library will offer plenty of books on CD or tape for those so inclined. This has been a habit of mine for perhaps eight years now, listening to audio books and lectures.

To my surprise, two books that I found especially engaging in 2007 were made into movies that have been released here in mid-to-late December. The first, No Country for Old Men, by Carson McCormac; the second, Charlie Wilson's War, by George Crile. The full title of this latter book is, Charlie Wilson's War: The Extraordinary Story of How the Wildest Man in Congress and a Rogue CIA Agent Changed the History of Our Times.

Crile's book is a remarkable read. Purportedly the true story of how Congressman Charlie Wilson led the charge to fund the Afghan resistance, the book is both entertaining and disturbing. Well researched and detailed, it does not drag. The scary part for me, however, is that it proves what I have always said about our federal government: It is too big and out of control.

For this reason alone it is an important book. It shows how Washington works.... or doesn't. Or does in spite of itself in some ways.

Like many books interpreting history, it may be a little overboard in crediting Wilson with ending the cold war (almost single-handedly). But the proposition is intriguing and has at least some partial merit. What he accomplished was no less than astounding.

So when to my surprise I saw a trailer for Charlie Wilson's War coming to theaters, I was really looking forward to it, and hoping they did not botch the story. Just so you know, the film was a superb adaptation. Tom Hanks was good, of course, and Julia Roberts played her role well, but the screen play is what made it all work. It would have been so easy to have gotten lost in the details and to have made a lengthy, wearisome but "important" film. Instead it was a tight story with solid performances throughout. Kudos to director Mike Nichols (The Graduate, Catch-22) and a big round of applause for Philip Seymour Hoffman whose range of characterizations is astonishing. The contrast between Capote and Gust Avrokotos is remarkable.

The film had any number of places where it could have become derailed. Instead, Nichols maintained the discipline necessary to make this a highly entertaining and thought provoking experience.

I'll save my comments on No Country for another day.