Monday I had an opportunity to visit the home and studio of Eric Dubnicka, local artist and former curator at the Tweed Museum of Art. The conservation swept over a wide swath of topics from work-life balance to the current state of the Duluth arts scene.
Dubnicka is the kind of artist who subscribes to the idealist maxim, "If I only had five dollars left I would buy art supplies before food."
He made observations about . some of the changes taking place as the local art scene undergoes a generational shift. He himself has been greatly appreciating the older (75+) makers who have been singularly dedicated to their craft like Jerry Ott and Pat Joyelle. At another point he also expressed concern about artist's tendency to play it safe and the resultant loss of spontaneity. Other topics included concerns about patronage (or lack of) for the arts and the financial challenges artists face.
A question we also explored was the matter of permanence. Institutions and collectors look for art that will last because it is an investment. This devalues temporary art and pop-up shows that are intentionally temporary yet beautiful, Dubnicka's two-hour pop-up show on the Summer Solstice being an example of this stripe.
The conversation wove in and out amongst many other themes. To retrieve them you will have to find that fly on the wall and see if she/he had a tape recorder.
What follows are a variety of images from my two-hour visit. You will note a several recurring themes including fascinations with symmetry and textture. The layered wire work has become his latest exploration.
* * * *
Dubnicka is the kind of artist who subscribes to the idealist maxim, "If I only had five dollars left I would buy art supplies before food."
He made observations about . some of the changes taking place as the local art scene undergoes a generational shift. He himself has been greatly appreciating the older (75+) makers who have been singularly dedicated to their craft like Jerry Ott and Pat Joyelle. At another point he also expressed concern about artist's tendency to play it safe and the resultant loss of spontaneity. Other topics included concerns about patronage (or lack of) for the arts and the financial challenges artists face.
A question we also explored was the matter of permanence. Institutions and collectors look for art that will last because it is an investment. This devalues temporary art and pop-up shows that are intentionally temporary yet beautiful, Dubnicka's two-hour pop-up show on the Summer Solstice being an example of this stripe.
The conversation wove in and out amongst many other themes. To retrieve them you will have to find that fly on the wall and see if she/he had a tape recorder.
What follows are a variety of images from my two-hour visit. You will note a several recurring themes including fascinations with symmetry and textture. The layered wire work has become his latest exploration.
* * * *
On the beach... front page of the DNT. |
Am looking forward to my next studio tour.
What have you been working on these days?
Meantime, art goes on all around you. Get into it.
No comments:
Post a Comment