Showing posts with label C.S. Lewis. Show all posts
Showing posts with label C.S. Lewis. Show all posts

Friday, October 2, 2026

When Getting What We Want Isn't Enough: A Pascal Reflection

Blaise Pascal once wrote, “It is not well to be too much at liberty. It is not well to have all we want.”

This runs against nearly everything our contemporary culture tells us. We tend to think of freedom as the removal of restraints. More choices are better than fewer choices. More money is better than less. If something stands between us and what we want, remove the obstacle.


But Pascal--a French mathematician, physicist, inventor, and religious philosopher of major significance--understood something about human nature that we sometimes forget. Limits are not always our enemies.


Years ago I wrote something similar in one of my journals: “When we get what we want, we usually get more than we bargained for.” We may want the promotion, but discover that it comes with headaches and responsibilities that we hadn't anticipated. When we go for a bigger house, we discover that we've also acquired higher taxes, more maintenance and more rooms to clean. The pursuit of unlimited choices may leave us paralyzed because we're unable to choose or decide what we want.


The old saying, “Be careful what you wish for” is a word for the wise. The expression has survived because experience keeps proving it true.


The Paradox of Limits

Nearly everything worthwhile depends upon some kind of limitation. Consider music. A piano has only 88 keys. Western music is constructed around a limited number of notes. Musical composition has rules governing harmony, rhythm and structure. Yet Bach, Beethoven, Duke Ellington and Bob Dylan somehow managed to create astonishingly different things within these limitations. The limits didn't prevent creativity. They made creativity possible.


The same is true of a football field. There are sidelines. There is a clock. There are rules about what you can and cannot do with the ball. Remove all the restrictions and you haven't created greater freedom for the players. You've destroyed the game. (Suppose, for example, that defenders could rush before the ball is snapped.)


Language works the same way. Grammar limits how we arrange words, but those limitations enable us to communicate. A sonnet has fourteen lines and a particular structure. That restriction has not prevented poets from writing beautiful sonnets. It gives them something to work against.


Could it be that life works that way, too?


Freedom From What?

We often speak about freedom without completing the sentence. Freedom from what? And perhaps more importantly: freedom for what?


There is obviously much to be said for freedom from oppression, coercion and arbitrary authority. But there is another kind of freedom that sounds attractive until we examine where it leads: freedom from obligation, responsibility and consequences. 


Marriage is an obvious example. When we marry someone, we voluntarily surrender possibilities. We make a promise that closes certain doors. 
That sounds restrictive because it is restrictive. But the restriction is precisely what gives the promise its meaning.


If I promise to meet you Tuesday but reserve the right to change my mind whenever something more interesting comes along, I haven't really made a promise. Commitment limits us. It also makes trust possible.


The Gift of Resistance

Some of the things we initially regard as obstacles may actually be doing us a favor. Deadlines force us to finish. After forty-five years of freelance writing I have never missed a deadline. When I was in fourth or fifth grade we were paired with other classmates to do a collaborative report for geography. The day before the report was due, my co-author notified me that he had done nothing. No research, no notes. I complained to my mom ho unfair it was, but she was smarter than me. She said I had to stay up and write the report, no matter how late it was when I finished. While working on it, I witnessed something miraculous that I've never forgotten, that I never would have seen had I not been required to finish that night.


Budgets a likewise a challenge because they force us to prioritize. When money is tight, we discover what really matters to us. 


Physical limitations force athletes to train. The difficulty of mastering an instrument makes playing it well satisfying. The resistance of the blank page forces a writer to think. What am I really trying to say? 


Even boredom may have its uses. Generations before ours didn't carry a device in their pocket capable of filling every empty moment with entertainment. They occasionally had to sit quietly. Or ponder. Or notice what was happening around them. Whether eliminating boredom through reels news clips has made us happier is another question.


Modern technology has steadily removed friction from everyday life. We can buy nearly anything without leaving home. We can watch thousands of movies without waiting for one to appear on television. We can communicate instantly with someone on the other side of the planet. And thought these are remarkable achievements, every solved problem seems to bring another problem with it. 


More Than We Bargained For

This is where Pascal's observation becomes interesting. “It is not well to have all we want.”

He isn't necessarily saying that wanting things is wrong. Nor is he suggesting poverty, hardship or oppression are somehow desirable. The deeper point concerns human nature. We aren't always particularly good at knowing what will make us happy.


A child may want all the candy he can eat, but an adult understands why that isn't a good idea. On the other hand, adulthood does not necessarily eliminate the impulse. We simply acquire more sophisticated forms of candy. 


We pursue these things believing satisfaction waits somewhere on the other side. Sometimes it does. Sometimes we arrive and discover another appetite waiting for us. In The Lion, the Witch and the Wardrobe (The Chronicles of Narnia), the White Witch seductively lures Edmund away from loyalty to Aslan and his family with what C.S. Lewis called Turkish Delight. In the story Turkish Delight becomes a metaphor for all the various temptations that lure us away from our true calling and higher self: money, recognition, possessions, pleasure, status, power, freedom from obligations.


There is always a little more money to make, another achievement to pursue, another possession to acquire, another experience we haven't had. The finish line keeps moving, and the reward of tasting more Turkish Delight propels us forward.


Perhaps that is why wisdom traditions have generally placed such emphasis on restraint. Temperance, patience, faithfulness, discipline and self-control sound old-fashioned because each involves voluntarily accepting limits.


The real bottom line is this: a person incapable of saying no to himself isn't really free. He is simply governed by his appetites.


Getting what we want isn't necessarily a bad thing. On the other hand, some doors are better left closed.

Wednesday, April 29, 2026

Lucy's Encounter with "The Magician's Book" in Voyage of the Dawn Treader

The Voyage of the Dawn Treader is probably my favorite of the seven volumes of C.S. Lewis' The Chronicles of Narnia. One reason this volume is so popular is because of Reepicheep, the courageous, swashbuckling leader of The Talking Mice of Narnia. This blog post, however, is about an incident involving Lucy on the Island of the Dufflepuds.

The Voyage of the Dawn Treader (1952) is the fifth book in the series (by publication order). The chapter involving Lucy and the magical book is one of my favorite episodes, both pivotal and richly symbolic. It occurs in Chapter 10, which is aptly titled “The Magician’s Book,” when Lucy, Edmund, and Caspian, aboard the ship Dawn Treader, visit the Island of the Dufflepuds (also called the Monopods or Duffers) and encounter the magician Coriakin’s house. 


All readers of this series understand that nearly everything in these stories is o be taken allegorically. In this chapter Lucy, Edmund, and Caspian, along with their crew, land on this island inhabited by the comically inept Dufflepuds, invisible creatures who were made so by their master, the magician Coriakin, as a punishment for their disobedience. (For the record, Lucy and Edmund are children from our world and Caspian is a prince from the world of Narnia.)


The Dufflepuds, believing Lucy is brave enough to face the magician, demand she enter his house to reverse the spell of invisibility by reading from the magician's magical book. Lucy, somewhat apprehensive, agrees to undertake the task alone, as the others are wary of the magician’s power.


When Lucy enters Coriakin’s grand, mysterious house, she ascends to a room filled with books, artifacts, and an atmosphere of enchantment. In the center of the room is a large, ancient book—the Magician’s Book—bound in leather, and filled with spells written in beautiful, clear script. The pages are alive with magic, and Lucy must find the spell to make the Dufflepuds visible again. 


As she turns the pages, she encounters a variety of spells, including one to “know what other people think of you,” one to make someone beautiful “beyond the lot of mortals,” and another to cure warts. The book’s pages seem to turn on their own at times, adding to its mystical aura.


As she leafs through the pages Lucy is tempted by the spell to hear what others think of her. She casts it and overhears a conversation between her schoolmate Marjorie Preston and another girl, revealing Marjorie’s insincere flattery and mild betrayal. This devastates Lucy, sowing seeds of insecurity and resentment, though she later reflects on the harm of such knowledge.


When she comes to the "Spell of Beauty" Lucy nearly casts a spell to make herself irresistibly beautiful, motivated by envy of her sister Susan’s beauty. She sees a vision of herself transformed, outshining Susan and causing strife, but Aslan’s face appears in the book, growling softly, stopping her. This moment underscores her struggle with vanity and pride. (For the record, Aslan is a lion, fearful and wonderful, powerful and wise, who is central throughout the Chronicles.)


Lucy finally finds the spell to make “things visible which are not to be seen.” She reads it aloud, and the Dufflepuds’ invisibility is undone, revealing their comical, one-footed forms. As she reads, Aslan appears beside her, unnoticed at first, guiding her through the process.


After casting the spell, Lucy meets Aslan, who gently rebukes her for eavesdropping via the spell, explaining that the conversation she overheard was distorted and incomplete, teaching her the dangers of seeking forbidden knowledge--and teaching young readers the danger of listening in to others' conversations.) He also reveals that he was with her all along, guiding her through the book’s temptations. 


Coriakin, the magician, then appears, a kind, wise figure—a retired star sent to govern the island as a form of divine service. He hosts the group for a meal, explaining the Dufflepuds’ quirks and his role in their reformation.


The spell successfully makes the Dufflepuds visible, and they rejoice, though their bumbling nature persists. Lucy’s experience with the book leaves her wiser, having confronted her own flaws—curiosity, envy, and pride—while learning to trust Aslan’s guidance. The chapter ends with the crew preparing to leave the island, enriched by the encounter.


The lessons in this chapter alone are many, dealing with temptation and moral growth, the power of knowledge, warnings about curiosity driven by pride, and Aslan (as a Christ figure) as a divine presence. Regarding the Magician's Book, this has layers of meaning, too. We live in a world that is beyond our comprehension. C.S. Lewis addresses this in his space trilogy as well, most vividly in That Hideous Strength. The very existence of Narnia implies worlds beyond our comprehension. 


Coriakin, a star tasked by Aslan to govern the island, represents a steward of divine power, contrasting with the corrupting magic of figures like the White Witch in earlier books. The book’s spells are neutral tools, their morality depending on the user’s intent.


Some people has suggested The Magician’s Book could be seen as a metaphor for the Bible or spiritual knowledge, containing truths and powers that require discernment to wield rightly. Lucy’s journey through its pages mirrors a spiritual pilgrimage, testing her virtues and exposing her weaknesses.


Overall this chapter serves as a standalone adventure within the broader voyage of the Dawn Treader’s quest toward Aslan’s country. It entertains by balancing humor (the Dufflepuds are hilarious) with profound moral questions, making it accessible to younger readers while offering depth for adults. Lucy’s experience prepares her for later challenges, reinforcing her faith and resilience.


It's interesting that C.S. Lewis took a lot of heat from his peers for publishing The Chronicles of Narnia. He was a professor at Oxford and gaining fame by writing children's books was frowned upon. It was out of character for a dignified Oxford professor. The novel’s message, that true wisdom lies in aligning one’s will with the divine, was in alignment with Lewis's own quest. And the world has been made richer for it.

Wednesday, January 5, 2022

Turning the Page on 2021--Topics I Started to Write about but Didn't Follow Through On or Publish

Yes, I'm gonna be a star! How 'bout you?
Photo courtesy Gary Firstenberg
I don't always post something every day, though most days I've made an attempt. Usually there are two or three ideas waiting in the wings. Sometimes I develop them a little, other times I just make an outline with a URL directed to the trigger story that sparked the idea.  

Sometimes I go back and finish an idea that I'd previously set aside. Other times, the seed thoughts whither and die on the vine. What follows is a list of these incomplete or undeveloped ideas. I find it interesting that in January I'd planned to write about Peter Jackson's upcoming Get Back project involving The Beatles, and that by year's end everyone was talking about it. 

If this list bores you, feel free to turn the page. I won't be offended.

TOPICS I STARTED BUT DID NOT COMPLETE OR PUBLISH 


JANUARY

The Incredible Variety and Depth of the Dylan Catalog

Watching the Wheels Go Round: John Lennon Sidesteps the Rat Race

The Beatles: Peter Jackson and Get Back.  (Jan 6)

Bohemian Rhapsody

Too Much Regulation

A Brief History of My Car Accidents

Fallout

On January 20: Stay Home

Peter Schweizer Reveals the Depressing Degree of Corruption in Washington

Budget Deficits: When Should We Begin to Be Concerned

The Biggest Problem with Cancel Culture: There’s No Mercy

More Russell (as in Bertrand)

Politics and Dogma

The Duke Lacrosse Case

200 Motels: Zappa Revisited

You’re Aging Well

Still in Awe of Dylan


FEBRUARY

Fresh Ideas in Taxation: Universal Minimum Wage and Flat Tax Thoughts

Fun with Numbers: The Numeral 3

Orwell's Road to Wigan Pier

Facts vs. Interpretations

Financial Thoughts

Housing the Poor

More Thoughts On Cancel Culture

Our Schools Are a Mess, So We Tell Americans How Bad China Is

Notes from C.S. Lewis, A Life: Eccentric Genius, Reluctant Prophet

The Important Role of a Father

Tolstoy's The Forged Coupon

Weather Modification: Is Someone Playing with the Weather?

Daniel Botkin’s Psurrealistic Psalms

EVs and the Future of Transportation

Another Cut from Empire Burlesque—I’ll Remember You

Only Lovers Left Alive Is No Ordinary Vampire Flick

Eugenics and Socialism

Vasily Kandinsky

It’s Getting Scarier and Scarier

The Value of Rituals and Routines

Intelligence Doesn't Necessarily Make One Compassionate or Wise: The Eugenics Movement

Executive Orders: The Good, the Bad and the Ugly

The Brouhaha Over When Harry Became Sally

The Three Worst Supreme Court Decisions In U.S. History

The Future of Public Education


MARCH

Are You Feeling Lucky?

Tech Tuesday: The Genomic Revolution

The Marvin Hagler Many Never Knew

Michael Lewis' The Fifth Risk Sheds Light on Part of What Went Wrong These Past Four Years in Washington

Cry Me A River

I Am Not Your Negro--The James Baldwin Documentary

Reedley Relocation Camps of World War II

Sam Cooke & Dylan

A Few Personal Thoughts on the American Revolution, Viet Nam and History: Comparisons, Contrasts

Some Thoughts Regarding Appropriate Timing 


APRIL

Financial Euphoria and the Madness of Crowds

There Are No Guarantees

Recalls Continue to Be a Bane to the Auto Industry

An Example of Spin or Just an Oops?

How to Make a Living as a Writer

A to Z Challenge: Blonde On Blonde

A to Z Challenge: Abortion

A to Z Challenge: Boko Haram

Low Income Housing: Is It Time to Stop Jawboning?

The Fall of Rome 

Billy Collins, Roze & Blud

Interesting Lines from Recent Movies

My Own Version of You: Dylan's Frankenstein Story

Ah Look at All the Lonely People

Mixed Messages

Starting with This: A Quote from The Rules of the Game


MAY

Specificity and Ambiguity: A Trademark Dylan Technique

A Deeper Dive: I Pity the Poor Immigrant

Frost Museum To Show Most Comprehensive Display of Dylan's Art 

Ernest J. Breton and the Secret to Creative Innovation and Invention

Standing Up for Nuclear

My Take on Yesterday (The Movie)

12 Monkeys: Hollywood Entertainment or Prescience?

A Half Hour Happy Hour with the Folks from Heaven’s Door

Interesting and Unusual People I’ve Known Across the Years

The 1619 Project Creates New Narrative that Is Crafted and Crafty


JUNE

The War Poems of C.S.Lewis and Bob Dylan’s Staunch Anti-War Stand

The Jobs Situation: Another Illustration of the Law of Unintended Consequences

WSJ Review of “Damage” Is Right On Target, So Direct

Favorite Borges Short Stories

The Influence of Johnny Cash, the Connector

Ripples in a Pond: Finding Our Own Identity and Making Our Own Mark

Cronkite 

Community Reacts Negatively to More Jobs Coming

A Little Bit Scary? Report Your Friends and Family Members Who Might…

A Few Insights About Quarreling

The Interconnectedness of the Global Economy

Reputation Can Be an Asset or Liability: The E.F. Hutton Scandal

Tales of Brave Ulysses

It’s My Life, Do I Know What I Want?

“My Country Right Or Wrong” Is Wrong

Bob Dylan’s “The Wicked Messenger”

Favorite Films of All Time


JULY

Things We Don’t Like to Talk About: Suicides and Nervous Breakdowns

Massive College Debt: When Illusion Meets Reality

Wally Funk and the Blue Origin

Why Are We Still Wearing Masks?   

Ohio University Commencement Exercise Music, 1974

Orwell’s Homage to Catalonia: A Review

Injustice and Violence: First Hand and Second Hand

Orwell, Churchill and Totalitarianism

What Will the Year 2040 Look Like in America?

The Future: Frightful or Delightful? The Power of the State Continues to Expand

Churchill and Orwell: Insights and Takeaways


AUGUST

10 Great Dylan Songs? By What Criteria?

Why Punctuality Matters

The Board Game Market

Everything Is Broken

It’s a White, White, White, White World

The Future of Education

A Strategy for Standing Out from the Herd

Kentaro Kobayasha, The Rolling Stones and the PC Police

Penny Lane, the Oxbow Incident and the Problem of Mobs

The EV Dilemma

Springtime in New York: Just In Time for Fall


SEPTEMBER

A Pair of Orson Welles Anecdotes

Is the Cancel Culture Craze America’s Latest Fad? How Long Will It Continue

A Glimpse of Bob Dylan’s Malibu by Martin Newman

Harvard Prof Richard Thomas Says, “Start Your Dylan Tour In Duluth”

Are Homeless Camps the New Normal?

Rex Lex: What It Means and Why It Is Important

The EV Reality Check

Re-Thinking Universal Basic Income

Colonel Parker

A Shoplifting Epidemic


OCTOBER

Who Knows Where the Time Goes

An Hour of Poetry for People Who Say Are Not Into Poetry

Virtue Signaling

Clickbait Headlines

Planning to Go Carbon Free? Say Goodbye to Bubble Gum

My Favorite Things: Movies (Updated)


NOVEMBER

The Roberto Clemente Museum in Pittsburgh: Worthy Tribute to a Great Ballplayer and a Great Human Being

The Rough and Rowdy Road Tour Is Underway: Dylan Still Has That Old Black Magic

Bad Grammar (Examples)

Greenwashing: What It Is and How It Happens
Minyades: Richard Höglund’s Breakthrough Paintings Excavate the Darkness

Tech Tuesday: A.I. Is Already Taking White Collar Writing Jobs. Who's Next?

AI Writes a Review of a Book About AI

Jack Dorsey Steps Down from Twitter Leadership

The Sheer Madness of the Battle of the Somme


DECEMBER

The Great Escape: Estonia 1944

Of Boosters, Vaxx Mandates and Government Hypocrisy

Bob Dylan 'Retrospectrum' artwork show opens Nov. 30 in Miami

Niall Ferguson on the Gods of History

L A Confidential Brings to Mind Stories from Nevada Bob's Memoir

Immersive Art Outside of Museums -- Why Are the Critics Cringing?

Redistricting: The Times’ Spin Seems Misleading To Me

Northland Influences on Bob Dylan


* * * 

Looking at the photo of the starfish at the top of the page has me wondering why, why, why are there so many stars in the sky? And what is the point of all this beauty under the sea? What an amazing universe. 

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