Showing posts with label Dylan Mural. Show all posts
Showing posts with label Dylan Mural. Show all posts

Friday, August 3, 2018

Is It Advertising or Is It Art?

THROWBACK THURSDAY
This post originally appeared in 2012

Interesting article by Curtis Gilbert at the Minnesota Public Radio site yesterday. Minnesota's Twin Cities are again trying to define where the line is between art and advertising.The cities have laws that prohibit signs from being excessively large, but such measurement restrictions do not apply to art.

The law became a problem when the store Creative Kidstuff wanted to install two giant cat images on the two sides of their entrance. Clearly the art is informing people where the Kidstuff store entrance is located. This violates the advertising signage rules.

But it's more than simply size restrictions. The anti-advertising advocates really don't want any promotion going on in public spaces.

You can read the article here: Cities debate art vs. advertising.

ST. PAUL Minn. — Minnesota's two largest cities are considering where to draw the line between art and advertising. Later this year, Minneapolis may relax the definition of "mural" to allow for pictures of products. And tonight, the St. Paul City Council will decide whether two cartoon cats count as signs or sculptures.

"Everywhere you look, advertisers are finding a place to put something, to sell you something you don't need," the executive director of the anti-billboard group Scenic Minnesota, Ossian Or, is quoted as saying. The implication is that outdoor advertising is a form of crime that ought to be outlawed.

But advertising has many more functions than just to sell. In the case of these giant cats it's simply wants to tell, in a wordless but entertaining way, that this is where our store is. How else are you going to find these places if you can't announce, "We're here!"?

For Scenic Minnesota billboards, too, are a blight. But many a weary traveller has found comfort in knowing that a there's a motel up ahead in the next thirty miles, or a place to grab a bite to eat.

I think part of the problem with advertising is the bad rap it gets from people who tar it by misrepresentation. Here is a typical anti-advertising quote, this one by Carrie Snow. "Advertising degrades the people it appeals to; it deprives them of their will to choose." O.K. please tell me how those two giant cats are depriving people of their will to choose? How about the T-shirt with a Lund Boats logo on it? Does this somehow force people against their will to buy boats and become fishermen? Yet advertising continues to be treated as if it were almighty and omnipotent.

* * * *
2018 ADDENDUM
According to the 2012 NPR article, "Since 2001, Minneapolis has banned murals that "advertise or promote any business, product, activity, service, interest or entertainment." If that law still stands on the books, it seems to me that the spectacular six-story high Dylan mural on Hennepin is a violation. Rock stars, like Pet Rocks, are a product. Like politicians. Like pottery. I mean, aren't the faces of celebrities a form of a branding? Jim Morrisons iconic face was his logo.

In fact, there's a sense in which the buildings in downtown Minneapolis are a form of advertising. Each is distinctive for a reason. No two are a like so that people associate the structure with the brand it represents. Do we really hate capitalism so much that we so dislike the color its advertising adds to a cityscape?

Disclaimer: The author of this blog is an artist who made a living in advertising.

Tuesday, March 29, 2016

Dylan Mural Makes Monumental Impact In Minneapolis

Marc Percansky (center) with team of artists from Brazil.
I was surprised at how popular the Mall of America became after it was completed in 1992. Over and over again I heard people from out-of-state say they were looking forward to visiting it when coming to Minnesota. Now, there is a second attraction that seems to be generating out-of-state buzz and even international chatter. It's the new Dylan mural in downtown Minneapolis, and having visited it this past weekend with my family I can see why. It's an impressive tribute to the legendary Minnesota-born singer-songwriter.

The mural itself is quite extraordinary, but equally noteworthy are the stories behind the mural. Marc Percansky graciously offered details about the painting of this monumental work of art, calling it one of the Twin Cities' greatest landmarks. I have no doubt it will live up to this label.

"It is already turning into a major tourist attraction," said Percansky. "I guess you could call it the world's largest Bob Dylan Mural. People that pass by it who haven't seen it before love to stop and take photos of it. To me it is very thrilling and I am fortunate that it is in my hometown!"

Shortly after it was completed friends of mine sent me stories that were in the Minneapolis papers. And in the first six months it seems there have been endless numbers of photos posted online from all over the world. But Percansky insists, "There is nothing like seeing it with your own eyes. Standing in the parking lot and looking up at it from a proper distance at all 5 stories high. It is really a mind blowing work of art!" Now that I've stood beneath it, I have to agree.

Primary credit for this achievement goes to Eduardo Kobra, who Percansky calls "the Bob Dylan of his field. No one else could have done as good of a job as him."

The more Marc and I spoke the more I learned, so I thought it would be worthwhile to share some of that here. I asked the kind of things I thought inquiring minds might want to know.

EN: Who were the artists?
Marc Percansky: Four Brazilians -- Agnaldo Brito Pereira, Cesar Almeida, Marcos Rafael and Eduardo Kobra -- and two Minnesota artists -- Erin Sayer & Yuya Negishi who moved to the Twin Cities from Japan in 2010.

EN: How long did it take to complete?
MP: Painting began on August 26th and was completed on September 8th, 2015. Kobra's whole concept was already planned in Brazil before he came over. Then he mapped out a strategy 20 days before they started to get the job done on time. It then took 12 days with around 12 hours a day to finish it. Joan was the onsite coordinator and made sure the artists had everything they needed while they worked. They would often have their lunch meals prepared right there. They were very hard working guys. The weather was very cooperative during that time. I only recall one rainy morning towards the end that held things up just a bit. On the last day Eduardo finished his signature just above the Brazilian Flag. He then gave it a thumb's up to the crowd and then later that day left town with his studio crew to do another mural.

EN: How much did it cost?
MP: About $50,000.00

EN: How long did they plan it before tackling the actual assignment?
MP: Goldman Sachs, which co-owns The 15 Building at 15 South 5th Street, hired the Hennepin Theatre Trust to manage the project, which was launched in November of 2014. The huge white wall on the west facade was the perfect location for this mural. It is right in the heart of downtown Minneapolis.

EN: What approvals were needed?
MP: To my knowledge, only city approvals were needed.



Marc created two pages to catalog the articles and other details about the project here at his Magic Marc Productions website. This is the link to the second page.

Here are some other links Marc sent last night:
Eduardo Kobra's Website: http://eduardokobra.com/ 
Hennepin Theatre Trust's Website: http://www.hennepintheatretrust.org/ 
Made Here's Website: http://www.madeheremn.org/

What a difference a little color makes on a drab day in the city.

Top of Page Photo Credit: Bob Dylan Mural by Eduardo Kobra - Agnaldo Brito Pereira, Cesar Almeida, Magic Marc, Marcos Rafael and Eduardo Kobra / Downtown Auto Park / 509 Hennepin Avenue / Minneapolis, Minnesota / September 5th, 2015 / Photo by Joan Vorderbruggen

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