Showing posts with label Paul Johnson. Show all posts
Showing posts with label Paul Johnson. Show all posts

Saturday, October 2, 2021

Laurel & Hardy: Creative Chaos

Early scene from Helpmates.
Comedy comes in a variety of forms, but however you dish it out the aim is generally the same: to make us laugh. After interviewing Tony Belmont, founder and director of the National Comedy Hall of Fame, I decided to continue down this path, following up with Paul Johnson's book The Humorists. I became acquainted with Paul Johnson through his books The Intellectuals and Modern Times. He's obviously someone who enjoys researching the lives of interesting people. The focus of The Humorists is on people who make us laugh, whether through cartoons, literature or the cinema. 

His deep dive into Laurel and Hardy prompted me to borrow a 10-disc set of Laurel and Hardy DVDs from the library. I'd always enjoyed their antics, but had forgotten just how skilled they were at tickling our funny bones.

Before becoming a team they were already quite successful in their careers. Stan Laurel had been in more than 50 films and had worked as a writer and director. Hardy had more than 250 productions under his belt. 

Their first appearance together was in The Lucky Dog, though they were not yet a pair. They just had roles in the short silent film. Their first team effort came five years later in 1926 when they signed up with the Hal Roach film studio. They officially became Laurel and Hardy in a silent film called Putting Pants on Philip. Their Laurel and Hardy career included 32 silent films, 40 short talkies and 23 full-length feature films.

A scene from Helpmates
Unlike Abbott and Costello, where Bud Abbott was a foil or straight man in contrast to the antics of Lou Costello, Laurel and Hardy equally shared in the buffoonery. 

(Trivia: Costello hitchhiked to Hollywood to be in the movies, inspired by Charlie Chaplin. Before becoming a somebody, he can be spotted as an extra in Laurel and Hardy's The Battle of the Century.)

All this to say that I find the slapstick creativity of Laurel and Hardy to be sensational. Paul Johnson labels what they do as "creative chaos." 

Timing plays an important part in comedy, and these guys had it down tight. They take the simplest element in a story and stretch it to the breaking point. Foreshadowing is another ingredient they employ well. Much like winding up a watch-spring, it produces a tension that precedes the next explosive moment.

They also knew the importance of creating characters and staying in character. Laurel doesn't attempt to be Hardy and vice versa. The characters they created were middle class, with bowler hats and attire to match, but their stories were never political statements. Nor did they stoop to blue humor. 

Oliver Hardy was probably the first to directly peer into the camera and thereby the eyes of his audience.

Because Stan Laurel was frequently script writer and sometimes director, he was paid more than Hardy, but Hardy never complained. They'd both done quite well for themselves, hence their enduring success.

One are where they were less successful was in their marriages. Each had a number of wives, with Laurel having married one of his wives three different times. I guess that's one of the burdens of Hollywood. It can take a toll on the domestic side of life.

* * * 

The movie Helpmates illustrates the manner in which L&H create their magic. 

The opening shot is a placard that reads: "When the cat's away-- The mice start looking up telephone numbers."

Next, we see an interior shot of a living room and dining room, littered with debris that includes empty liquor bottles, broken lamps, broken plates, upended furniture. The camera pans the debris up close to reveal cigarette butts, more empty bottles, ash trays full of butts, one smoldering. It's apparent that there had been some hard partying going on.

Cut to: Oliver Hardy with an ice bag on his head and a look of disgust. "Now aren't you ashamed of yourself," he says. "A man with your supposed intelligence acting like an empty headed idiot." 

He goes through a litany of things he did while his wife was away. It looks like he's talking to the camera, but when the camera pulls away we see he's looking into a mirror addressing himself.

No sooner does he finish scolding himself when the doorbell rings. It's a telegram from his wife. She'll be home at noon today. He immediately dials up his friend Stan to come over right away. 

Cut to: Stan in bed, tossing and turning. He knocks the alarm clock on the floor while trying to turn it off. The ringing continues and after much dismay at trying to rest he realizes it's the phone, which he must get up to answer. 

The manner in which he stretches this scene out is classic. What follows are a series of escalating stupidities as the two men attempt to prepare the house for Hardy's wife's return. 

I highly recommend Helpmates as typical of their oeuvre. Mad Hatter meets dumb and dumber to produce slapstick genius. 

* * *

Classic Quotes from Stan Laurel

You can lead a horse to water, but a pencil must be lead. 

  • I had a dream that I was awake and I woke up to find myself asleep. ...

  • A friend once asked me what comedy was. That floored me. What is comedy? I don't know. Does anybody? Can you define it? All I know is that I learned how to get laughs, and that's all I know about it. You have to learn what people will laugh at, then proceed accordingly.

* * * 

If you need a break from all the disturbing events taking place at this moment in time, give Laurel and Hardy a try. Laughter really is good medicine.

Tuesday, September 21, 2021

Was Ben Franklin the First American Humorist?

This past weekend I began reading Paul Johnson's The Humorists. The book is not really humorous per se. Rather, it is a collection of profiles and bios of humorists through the ages, from Hogarth to Noel Coward. Groucho Marx, Stan Laurel, W.C. Fields, James Thurber, Dorothy Parker and others each get their day in the Johnson sun. 

I'd read his Intellectuals and was enriched by his Modern Times (another book of mini-biographies) but had not seen this volume and having recently written about the National Comedy Hall of Fame it seemed like a good follow up. That is, I thought it might put 20th century comedy into a historical context as part of a larger tradition.

The chapter I'm currently reading is about Ben Franklin, whom Johnson calls America's first humorist. He also designates Franklin as the inventor of the one-liner, which I found intriguing. One-liner quips have become a staple of many standup comics. 

Ben Franklin's wit was but one of his gifts, and he made the most of it. As publisher of Poor Richard's Almanac he fulfilled a duel need in people's lives. The Almanac provided useful information regarding weather, planting dates for farmers, tide table and other useful information for each calendar year. Franklin took it a step further by embellishing it with entertaining quips, witty phrases and wordplay.

According to Paul Johnson Franklin wasn't into the idea of just being a thinker. He wanted to be a doer. He also recognized early that in order to be free to do what you want it takes money. Money wasn't an end in itself, but a means to an end, hence his efforts to make his Almanack more popular than its peers.

Here are some witticisms to carry you through your day today.

--He that lies down with Dogs, shall rise up with fleas.

--No man e'er was glorious, who was not laborious.

--Necessity never made a good bargain.

--It is better to take many Injuries than to give one.

--There are no gains without pains.

--Lost time is never found again.

--Haste makes waste.

--Love your Enemies, for they tell you your faults.

--Three may keep a Secret, if two of them are dead.

--If you would not be forgotten 
as soon as you are dead and rotten, 
Either write things worth reading
or do things worth the writing.

* * * 

Related Links
Poor Richard's Almanack
Ben Franklin's 13 Virtues

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