The opening track on side two of Judy Collins' Colors of the Day* is "Who Knows Where the Time Goes?" Her delivery is heartfelt, poignant and moving. I've listened to it countless times over the years and it always soothes. The lyrics begin like this.
Across the morning sky, all the birds are leaving
How can they know it's time for them to go?
Before the winter fire, I will still be dreaming
I do not count time
Who knows where the time goes?
Who knows where the time goes?
Time is experienced in many ways. There are the seasons, and there are the days -- sunrise, sunset, sunrise, sunset. Sometimes, when you are longing for something, time drags. Other times it seems to fly.
The birds, in tune with the seasons, depart for warmer climates each autumn. But the narrator accepts the winter, lost in a different kind of time... that is timeless.
Sad deserted shore, your fickle friends are leaving
Ah, but then you know it's time for them to go
But I will still be here, I have no thought of leaving
I do not count the time
Who knows where the time goes?
Who knows where the time goes?
The second verse addresses departure in a different manner. But our narrator is unconcerned, floating in that timeless sphere beyond it all. The reason is explained in verse three. She is not alone while her lover is near. And though disruptions occur, and he flies away, she knows that he will return, like the dawn, like the birds, like the ebb and flow of the sea. She's in that state of being where she's untouched, nourished by the painful sweetness of things we don't fully understand but accept.
And I am not alone while my love is near me
I know it will be so until it's time to go
So come the storms of winter and then the birds in spring again
I have no fear of time
Who knows how my love grows?
Who knows where the time goes?
The song speaks of mystery, of something ethereal, indefinable. Resignation? Acceptance? Perhaps it's simply that sense of being immersed in timelessness.
Where is this timeless place? It's an interior spatial plane, a place we miss because of the blistering pace of most of our lives. We rush about from here to there, escaping from our selves.
In Psalm 23 the psalmist writes, "He leads me beside still waters." Those "still waters" are within. If we would just be still we could be comforted and nourished by them.
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Myintroduction to Javier Bardem came via the Coen Brothers’ No Country For Old Men. His portrayal of Anton Chiguhr, the villain he brought to life on the silver screen, was more than memorable. It also won him a well-deserved Oscar as Best Supporting Actor. And it stirred a desire in me to see more of his films. (I have since seen many.)
One of these was The Dancer Upstairs, directed by John Malkovich. It's a powerful film on so many levels. The casting is perfect, especially the lead characters played by Bardem and Laura Morante. (You can read my review here.)
In the final scene, post-climax, there's a subtle resolution that takes place. The scene is accompanied by a soundtrack featuring another version of "Who Knows Where The Time Goes?" except it's not by Judy Collins or Sandy Denny, the song's author. Rather, it is Nina Simone, and it's an absolutely wonderful rendition, beginning with a lengthy spoken introduction, both in this recording and also in the film. The purpose of this blog post was, in part, to share this song:
https://www.youtube.com/watch?v=OXeh742_jak
* Colors of the Day is actually a Best of Judy Collins album, so the song originally appeared earlier, on the flip side of her version of "Both Sides Now."
