Can Red Wortham Be Credited For Launching the Career of Elvis Presley?

Photo: Gary Firstenberg

For some reason "What if... ?" questions are endlessly fascinating. That's what makes the classic film "It's a Wonderful Life" starring Jimmy Stewart, Donna Reed and Lionel Barrymore so continuously entertaining. You know the story. Stewart, as George Bailey, is so down and out that he gives up on his hopeless situation and prepares to kill himself. Clarence, his guardian angel, saves his life but must also give him a reason to not give up on it all. 

When George Bailey says, "I wish I'd never been born," Clarence sees his opening. Using the special power only guardian angels in fiction stories have at their disposal, he shows Bailey exactly what would have happened, and what would not have happened.

I can think of a dozen places where my life could have been completely altered had things gone other directions. A pair of "chance" meetings resulted in my attending a school in Minnesota where I met my wife, for example. Had that not occurred, my kids and now grandkids would certainly have never existed.

These are the thoughts that flicked through my brain as I listened to Brian Oxley of the Storyteller's Museum* share the story of Red Wortham. Is it possible that we might never heard of Elvis Presley had it not been for this unusual man? 

It's useful to put stories in their context, and Oxley has produced a video that lays out his case. The 12-minute video, Seeing Red, now resides on YouTube. What follows are some of my notes, with an embed of the video afterwards.

SEEING RED

Record producer W.C. “Red” Wortham was born in Stewart County TN in 1920. His family lived on a mixed neighborhood street where blacks and whites got along. He evidently liked music because by the age of 13 Red and his friend Charlie were playing shows. As a teen he was getting paid to play on WLAC radio in Nashville.

At 20 Red formed his own big band orchestra that often performed at the Andrew Jackson Hotel, which became a go to spot for musicians. His location enabled him to start a music company where he could produce music and promote fellow musicians.

At a certain point he partnered with Jim Bullet of Bullet Records to expand his company’s reach. This positioned him to play a critical role in the music industry in the late 40s and early 50s.

The Prisonaires.

At age 42 he bought an old general store in Bon Aqua TN to create his distinctive recording studio, which remained active through the 60s and 70s. Throughout that time he recorded both white and black artists. African American musicians often sought him out knowing he was colorblind with regard to whom he worked with and promoted.

Red recorded hundreds of groups in a range of styles, but his recording of the Prisonaires proved to be his most significant decision.

When Frank Clement was elected governor in 1953 he appointed James Edwards to be warden at Tennessee State Prison. They brought a new attitude to the prison, focusing on the hopes of tomorrow rather than the mistakes of yesterday.

Joe Calloway, from local radio station WSIX in Nashville, was invited to broadcast from within the prison. Here he met a prisoner named Johnny Bragg who had been a singer since childhood. Bragg, who had already been behind bars 10 years, had assembled a group of guys that enjoyed singing. Joe Calloway thought they were pretty good and invited Red into the prison to record some demo tapes. 

The name of their group was already taken though, so Red gave them a new name: The Prisonaires. The group was comprised of two prison gospel singers, Ed Thurman and William Stewart (each doing 99 years for murder), and two new arrivals at the prison, John Drue Jr. (three years for larceny) and Marcell Sanders (on-to-five for involuntary manslaughter).

Elvis heard this song and felt a spark.

When Red brought his equipment into the prison they recorded "Just Walkin' in the Rain" and "Baby Please" in the doo wop style of the day. Red was impressed and sent the songs he pressed to Mercury Records and Decca. When Red didn't hear back, his friend Jim Bullet recommended that he go see Sam Phillips with his fledgling Sun Records.

Phillips indeed liked what he heard, but wanted a different B-side rather than "Just Walkin' in the Rain". Fortunately, Sam Phillips didn't get his way.

To record the official 45, Jim Bullett brought the Prisonaires to Sun Records on a day pass where they worked from morning till night recording it. When the song was released in 1953 it sold 50,000 copies.

Now that you've read this far, here's the point.

The significance of "Just Walkin' in the Rain" wasn't just that it put Sun Records on the map, but that it caught the attention of a young Elvis Presley. Presley began visiting Sun Records often that year. On one of these occasions he recorded a song for his mom called "My Happiness." This was the first time his voice had been recorded. 

As Phillips listened to the purity of the performance by the Prisonaires it reminded Phillips of Elvis’ voice and led Phillips to record "That’s All Right, Mama" and "Blue Moon of Kentucky." The rest is history.

 

EdNote: THE PRISONAIRES became so popular as a result of their hit single that they were given day passes to perform all over Tennessee. They even put on shows at the Governor's mansion.

It's probably impossible to say the Elvis phenomenon would have never happened without Red Wortham's having recorded the Prisonaires. It could be so, though. As with It's a Wonderful Life, few of us get to see what might have been. And most of us are probably unaware of how many others we ourselves have influenced, for better or worse, intentionally and unintentionally. 

Brian Oxley's stories get even more intriguing when we get to the Johnny Cash chapters. But I'm reserving that for another day.

* * * 

 

* The story Seeing Red is but one of many important stories that have been unearthed by Brian and Sally Oxley, founders of  The Storytellers Museum and Hideaway Farm in Bon Aqua, Tennessee. This is the place Johnny Cash once referred to as "the Center of My Universe." 

The Museum and Hideaway has been a project undertaken by Brian and Sally Oxley of whom I intend to share more in a future blog post. I was introduced to them by Gary Firstenberg, who has been giving Nevada Bob Gordon a tour of music history's points of interest in the Deep South. For more about this magical place visit https://www.storytellershideawayfarm.com/

Nevada Bob Gordon Is On the Road Again

Nevada Bob at the grave of Robert Johnson.

There's something about surviving cancer that not only gives you "a new lease on life" but also a new attitude toward all of your future experiences. Nevada Bob Gordon had two things going for him: a wonderful lifelong love of 58 years and a willingness to do whatever hard work was necessary to make a go of whatever they had to face. 

That cancer at age 31 ought to have killed him. The doctors told him that he was finished. But Bob had other plans. This past year his wife Carol passed and Nevada Bob, who has an authoritative deep baritone voice, wrote a song for her which he recorded on his first album Long Train To Nowhere. "Carol's Song" is beautiful and heartfelt, in a Johnny Cash sort of way.

With the advent of the pandemic he decided also to write a book and is currently in talks with a potential publisher. 

There are some things Nevada Bob has in common with Bob Dylan. After Bob (Dylan) recorded Blonde On Blonde in Nashville, he went back and recorded another, an then another. So, it seems, Nevada Bob has just completed his second album.... in Nashville. 

Come along and ride this train.  

But there are two more pieces of that story. One of the key session musicians of Nashville's A-Team back in the 60s was Charlie McCoy, who played guitar on "Desolation Row" (recorded in New York) and a variety of instruments during Dylan's sessions in Nashville, including that Salvation Army trumpet accompaniment on "Rainy Day Women". Nearly sixty years later, and Charlie McCoy was there in the studio two weeks ago for Nevada Bob's second album, just has he had been there for Bob on Long Train To Nowhere.

There's one more parallel to the Dylan story I will add. No question about it, Dylan was not shy about photographers documenting nearly every aspect of his life. Nevada Bob has a photographer accompanying him, too. Gary Firstenbrg is a first rate photographer who has a passion for all things related to music history, especially the blues. The photos here are just a small portion of the images in my folder from their journey together through points of interest in the Deep South, courtesy Gary Firstenberg.

A lot of history down there.

Studio time.

Hanging out with an old friend.

After hours kickin' back with the boys.

Big mic for a big man.

Everything is bigger in Texas.

Nevada Bob with Charlie McCoy

Jokerman.

These boots are made for walkin'.

Just passin' through, singing the Delta blues.

Tailgating with Dolly Parton.

Ending where B.B. King had his beginning.

If a picture is worth a thousand words.... there's a lot of new stories here. Have a safe trip back to Nevada, Bob.

Links

Come Along and Ride Nevada Bob Gordon's Long Train to Nowhere

Gary Firstenberg's Turning Negatives Into Positives