Showing posts with label jazz. Show all posts
Showing posts with label jazz. Show all posts

Wednesday, January 8, 2025

The Windmills in Your Mind: Sinne Eeg Delivers the Goods, An Angel's Soul on a Platter

Sinne Eeg. Billy Peterson, bass.
I must have first heard this song decades ago because I remember seeing The Thomas Crown Affair but was too young to engage the song which had been composed for this film by French composer Michel Legrand with lyrics by Alan and Marilyn Bergman. The song has since become an iconic standard, covered by numerous artists across various genres, each adding their unique flavor to its haunting melody and labyrinthine lyrics.

I discovered it after seeing Sinne Eeg, the Danish superstar jazz performer, this past fall at the Oldenburg House in Carlton. The lyrics generate for me connections to classic literature (Cervantes' Don Quixote, Borges' exploration of labyrinths, among others.) 

While the words are poetic and abstract, painting images of "windmills" -- a metaphor for the cyclical nature of thought, memory, emotion  and life -- while phrases like "a circle in a spiral, like a wheel within a wheel" evoke a profound sense of the psyche's intricacies. And any reference to wheels within wheels immediately inserts a connection to Ezekiel's otherworldly vision of the four living creatures, the heartbeat of the universe. The Bergmans' words are both a puzzle and a revelation, inviting listeners to reflect on their own mental processes and, perhaps, divine insertions.


The song itself is structured in a way that musically mimics the complexity of the mind's own workings. Legrand's composition features a cyclical, almost baroque melody that keeps returning to its initial theme, much like the recurring thoughts suggested by the title. The lush piano arrangement captures the essence of introspection.


Eeg's version of "Windmills of Your Mind" transcends its initial cinematic context. 

What do you think? I recommend repeated listens. It's a track worth exploring and savoring, a testament to the power of a performer to not just entertain but to provoke thought and emotion in equal measure.


Here's Sinne Eeg doing her magic with this penetrating song.

As for Sinne, the more your listen the more your hear, 
and the more you're moved. 

Related Link: A Night to Remember

https://pioneerproductions.blogspot.com/2024/10/a-night-to-remember-cookin-at-o-with.html

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Here are the lyrics for this profoundly moving song.


The Windmills of Your Mind

… Round, like a circle in a spiral

Like a wheel within a wheel

Never ending or beginning

On an ever-spinning reel

Like a snowball down a mountain

Or a carnival balloon

Like a carousel that's burning

Running rings around the moon


… Like a clock whose hands are sweeping

Past the minutes of its face

And the world is like an apple

Whirling silently in space

Like the circles that you find

In the windmills of your mind.


… Like a tunnel that you follow

To a tunnel of it's own

Down a hollow to a cavern

Where the sun has never shone

Like a door that keeps revolving

In a half-forgotten dream

Or the ripples from a pebble

Someone tosses in a stream


… Like a clock whose hands are sweeping

Past the minutes of its face

And the world is like an apple

Whirling silently in space

Like the circles that you find

In the windmills of your mind.

… Keys that jingle in your pocket

Words that jangle in your head

Why did summer go so quickly

Was it something that you said

Lovers walk along the shore

And leave their footprints in the sand

Is the sound of distant drumming

Just the fingers of your hand


… Pictures hanging in a hallway

And a fragment of this song

Half-remembered names and faces

But to whom do they belong

When you knew that it was over

Were you suddenly aware

That the autumn leaves were turning

To the color of her hair


… Like a circle in a spiral

Like a wheel within a wheel

Never ending or beginning

On an ever-spinning reel

As the images unwind

Like the circles that you find

In the windmills of your mind.


… Pictures hanging in a hallway

And the fragment of this song

Half-remembered names and faces

But to whom do they belong

When you knew that it was over

Were you suddenly aware

That the autumn leaves were turning

To the color of her hair


… Like a circle in a spiral

Like a wheel within a wheel

Never ending or beginning

On an ever-spinning reel

As the images unwind

Like the circles that you find

In the windmills of your mind. 

Tuesday, October 29, 2024

A Night to Remember: Cookin' at the O' with Danish Jazz Sensation Sinne Eeg

Tucked away on the North edge of Carlton, the Oldenburg House offers a truly intimate and unforgettable jazz experience. On select evenings, the historic home transforms into a jazz lover's haven with its signature event series, "Cookin' at the O'". 


These past two weekends the Oldenburg House welcomed Sinne Eeg, a Danish jazz vocalist whose voice carries a warmth and sophistication that can only be described as mesmerizing. Eeg’s performance perfectly captured the essence of the evening, drawing in the audience with her velvety tones and effortless range. Whether she was delivering a soulful ballad or an up-tempo swing, her passion for jazz radiated through every note.


The evening wasn’t just about the music, though. Chef Paul Sapyta* crafted a meal that was as much an experience as the jazz itself. Each course seemed to flow in harmony with the music, offering a feast for the senses. The combination of expertly prepared dishes and Eeg’s stunning vocals made for a perfect night—one where you could sit back, relax, and let the world outside fade away.


Of course nothing brings out the best in a singer like a world class backup band. This past Saturday Billy Peterson was back on bass, young Juilliard virtuoso Will Kjeer on piano and veteran Glenn Swanson on drums.


The historic Oldenburg House is Emily Fuerste and Glenn Swanson's gift to the community, playing host to an assortment of music and arts events. It's also a Bed and Breakfast. Their motto, "Find Your Nature," says much about this hidden pocket of paradise that abutts Jay Cooke State Park in the back and is walking distance to Thompson Dam.



If you haven’t had the chance to attend Cookin' at the O', it’s the kind of event that leaves a lasting impression. The Oldenburg House isn’t just a venue; it’s a place where music, food, and atmosphere come together to create something magical. And if you’re lucky enough to catch an artist like Sinne Eeg, well, it’s an experience you won’t soon forget.


"Nothing ever seems to glow

Like the beauty of sadness"
--Sinne Eeg


According to Wikipedia, Eeg has won the Danish Music Awards prize in the category Best Danish Vocal Jazz Album of the Year four times: in 2007, 2010, 2014 and 2015, for her albums Waiting for Dawn, Don't Be So Blue, Face the Music, and Eeg - Fonnesbæk. She also received the Ben Webster Prize in 2014. The Webster Foundation describes her as "a true jazz singer, who both shows sensitivity, improvisational skills, maturity, broad range and timing in her singing."


Here's another laudatory salute: The Danish songstress is versatile, equally comfortable fronting big orchestras in concert halls as well as smaller ensembles in intimate jazz clubs. Everywhere she sings – Tokyo, Copenhagen, Los Angeles or Madrid – audiences are mesmerized by her incandescent phrasing and scatting, all with natural, perfect pitch.  After putting in her time for years on the road, performing at small clubs and cafes, Sinne won her first Danish Music Award for her album “Waiting For Dawn” in 2007.

A brief summary of Saturday's set list. What a night. 

Opening Set
    (lyrics by Sinne Eeg)
Bridges    (Brazilian song)
Button Up for Me    (Gershwin Bros.)
The Barista
Walt Fidetti tune by Bill Evans, intimate upscale.
Cry Me A River (A bitter love song)
I Am An Evil Girl

After Dinner Second Set
James Bond music
    From Russia wit Love
    You Only Live Twice
Waiting for Danny
Better Than Anything. (blues waltz)
Samba
    A song about community for all, whoever you on.
    Turn your radio on.
Song created by Will, "All Is Sunset"
    Erik Satie vibe
I'm Talking To Myself    (Danish song)

Related Links

Cookin' @ the O -- My Visit with Pippi Ardennia


*Paul Sapyta is chef for the Cloquet forestry center and runs a catering business and food truck, Room at the Table, from there. 

Monday, August 1, 2022

Oldenburg House Getting Jazzed for the Honey Bee Festival and More


Here we go... With the worst behind us, events have been opening up all around the Northland, and all around the country if our region is any kind of indicator. Two noteworthy items to pass on... The Honey Bee Festival is back at the Oldenburg House, celebrating the pollinators as well as the local habitat. It's an annual two-day fest with music, dance, vendors, food and more.

FRIDAY, AUGUST 5TH
3:00 - 10:00 PM

SATURDAY, AUGUST 6TH
11:30 AM - 10:00 PM

One Day Passes are $20 and a Two Day Pass is $30.

The lineup of performing musicians is fabulous as always. Many fan favorites will be on hand. And then there's Cookin' at the O' kicking off another season of intimate top-drawer jazz with a whole clutch of Petersons present to lift you to higher realms.



On Saturday there will be a Swarm Bike Ride, with three swarms gathering and starting from three locations, Carlton Bike Rental in Moose Lake, Wussow's in West Duluth, and TJs Country Corner in Mahtowa. If you don't have a bike but can get a ride to Moose Lake, you can rent one from Carlton Bike Rental there and return it in Carlton. (Just sayin')  

Participants receive admission to Saturday festival, SWARM t-shirt, free beverage ticket and support on the trail. Details HERE

* * * 
Here are the lineups for Friday and Saturday
FRIDAY
Randy Lee Ensemble
Andy Peterson Quartet
* * * 
The Return - Cookin' at the O
Glenn Swanson
Billy Peterson
Ricky Peterson
Jason Peterson DeLaire

SATURDAY
Terrence Smith/Hive Jive
Boss Mama
Steve's "Overpopulated" One Man Band
Anam Cara — barn dance
Briand Morrison & Roxanne Berglund
The Langerstons
The Fish Heads
Ingeborg von Agassiz
Lanue
Rich Mattson and the Northstars
Andrew Walesch

Bee Fest will have booths with artisans and craftspersons.

And yes, there will be a mermaid in the pool again this year.

For sure there will be bees.

The place will be a stream of creative energy. 
In addition to two days of music you will find:
Plein Air Painters
• Outdoor Painters of Minnesota
Terrence Smith
• Hive Jive
Splash the Mermaid
• at the pool
Honey-infused food and drink
Bee-inspired arts & crafts
Info & advocacy to support pollinators
FOOD TRUCKS
Room at the Table
Dogs N' Kabobs

Sukie

* * * 
This event is an outgrowth of the Oldenburg Arts & Cultural Community (OACC). Learn more at OACC.US  

And in the event you are too far away to enjoy this celebration, the Oldenburg House is also a Bed & Breakfast adjacent to Jay Cook State Park and some fabulous natural beauty. To learn more, visit OldenburgHouse.com.

Friday, April 8, 2022

Flashback Friday: It's Interesting, But Is It Art?

Ten Years Ago Today

Ken Burns' documentary Jazz has so much to say about so many things that a once through experience of watching is not enough. Race relations and the American experience are but one of the threads that weaves through this story about music and musicians. Another thread is how the reclusive edge of the avant-garde jazz scene bled into the broader culture in so many various ways.
 
Yesterday was the last episode in the Robert Hughes documentary Shock of the New, which the Duluth Art Institute so graciously shared at the Zinema 2 downtown. While watching this film series, which explores how modern and post-modern art came to be, I couldn't help but see parallels with the music scene. Many of the problems were similar. What is important? What is good? Who determines value? If the public likes it and it's popular, can it really be great? (This was Updike's complaint with Stephen King.)
 
When the narrator in Jazz put this out there I had to set it down in writing because of all that it conveyed. The basic truth, Artie Shaw concluded, is that popular music has little or nothing to do with musical values at all. “I still wanted to play music and the audience was saying, ‘Play what you’re playing. Over and over. We like that.’ They never could understand that what they liked was something I did on my way to getting better. That record that they liked… became a millstone, became an albatross around my neck.”
 
So yesterday, we watched the final installment of our series, which was really more like an addendum. The original series appeared circa 1980. This last piece was produced post-9/11 in 2005. Hughes' aim, he stated, was to discuss "what was good, what was bad and why it is important to know the difference." Just because something is novel and new doesn't mean it is vital or important or good.
 
To make his point he has us join him as he visited with Jeff Koons, whom he said was probably the most successful living American artist. Koons used to be a commodities broker before leaping headlong into the art scene. Koons is an American artist who built a reputation around reproducing banality it seems. It's hard to take him seriously, but he's audacious enough to suggest with a straight face that he is simply a modern equivalent of Michaelangelo. Certainly he's learned a thing or two from Warhol about how to capitalize on his chosen path.
 
It just so happened that a couple days ago someone shared with me a link to Morley Safer's 60 Minutes segment on Contemporary Art. And look who's in the limelight... It's Koons. His fifteen minutes evidently didn't end here. (Be honest, does this excite you or turn your stomach?)


In late March, in the midst of Hughes' film series there was a guest lecturer at UMD who presented his take on developments these past 150 years in the art scene. Greg Volk, an art critic and curator himself, gave a lively and thought-provoking overview from a bit more esoteric perspective. Volk's fascinations end in a space that was different from Hughes' final pronouncements and ruminations.
 
Volk's heroes are artists like Katharina Grosse, Ayse Erkman and Roman Signer. Each was following a path into uncharted personal territories without boundaries. But I couldn't help simultaneously hearing in my head Morley Safer's take: "Who are these people trying to buffalo?"


Hughes comes full circle back to draftsmanship and painterliness. His heroes in the end are very different: Lucian Freud, David Hockney, Paula Rego. "Painting is about stories," Hughes stated. He dislikes the fast art of modern times as much his distaste for fast food. And he finds sensationalism appalling.
 
What I liked about the way our series was presented was that each week ended with a little discussion period which sometimes had almost as many insights as the films themselves. A couple weeks back one of the points made afterward was that all these various movements from Cubism and Dada to Pop, Minimalism and Conceptual art were helpful for artists today in that they were now free to pursue their inner vision in any direction they wanted. As Duchamp once pointed out, however, only posterity will decide what was important. Right now, we're standing too close to the oyster.
 
What's your take?

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