Showing posts with label pictures. Show all posts
Showing posts with label pictures. Show all posts

Wednesday, July 5, 2023

Candid Captures: A Visual Symphony of (Almost) Wordless Wednesday Moments

Every. Picture Tells A Story 
Did your mom have one of these?
Do you know how to talk with one of these?
Did you ever do one of these?
Lost in an Escher display.
The end of Troy was the beginning for Rome.
Aphrodite played a role in both stories.
The streets of Florence are like a dream.
There's no place like home, especially when your home is Italy.

Wednesday, March 15, 2023

Almost Wordless Wednesday: Every Picture Tells A Story

Lots of half written blog posts falling between the cracks.
Here are a few photos to fill in for a day.

Ed's famous one-egg omelet: Irish cheese, brat, onion, mushrooms
"How high's the snow drift, mama?"
"It's a-six feet high and risin'"
Collaboration: Susan Laing, Dream AI and myself.
Yes, that's C, S & N.

Restroom sign and bottom four photos here
courtesy Gary Firstenberg. 

In college I got it into my head that each new painting I did should be the most important work of my life. That's a pretty high bar to set for oneself. This puts a lot of pressure on you, A Nobel prize winning author once noted that one is not obligated to record only important things in their journals, and I would say the same for blogging. 

Monday, July 30, 2012

Five Minutes with Artist Lisa Eddington

"Pure drawing is an abstraction. Drawing and colour are not distinct, everything in nature is coloured." ~Paul Cezanne 

Lisa Eddington grew up in Texas but now lives in Seattle. Her profile statement at Etsy reads, "My name is Lisa. I like to draw things that make me happy. I hope they make you happy too." I like the spirit that statement conveys. It has been interesting watching her style develop these past several years.

EN: You’re quite talented and creative. When did you first become interested in making art? 
LE: I have been interested in making art for as long as I can remember. When I was a little kid, I was always making something with my hands; whether it was with play-dough, silly-putty, legos, etc. In elementary school I won an award for a painting I made of a mouse holding a wedge of cheese. That was probably the first time I realized I wanted to be an artist.

EN: Where did you get your training and what did you enjoy most about that experience? 
LE: I received a BFA in Painting and Ceramics at the University of Texas at Arlington. My favorite part of being in school was the sense of community I felt in my classes. I loved always being around other artists, getting feedback and inspiration from my professors and fellow students. It was a great creative environment.

EN: What kinds of media do you like to work with and why? 
LE: Painting and drawing are my main forms of expression, and I also like to work with ceramics. Lately I have been focusing on drawings on paper with pen. I like the details I can achieve and the amount of control I have with this media.

EN: Who are some of your favorite artists and why? 
LE: Mel Kadel is one of my favorites. I love her subdued color palette, and the way she makes mirroring patterns. Inaluxe is another favorite (collaboration of Kristina Sostarko and Jason Odd.) They are very good at simple yet interesting designs. A new favorite is Jason Ratliff and his Walking Shadow Series. I like way he combines traditional illustration and design together.

EN: What are you working on now? 
LE: Currently I am working on a series of drawings inspired by kaleidoscope shapes. They are bright and bold designs with strong floral influences. They are fun to draw because I can be spontaneous in my process. Some drawings turn out completely different from what they started out to be, and that's OK.

EN: Where can people see more of your art? 
LE: I have some prints of my drawings for sale at my Etsy shop.

EN: Thanks for sharing!

Sunday, August 2, 2009

My Rorschach Technique For Making Pictures

Artists use a variety of media and techniques to make pictures. Most probably have something in mind ahead of time. For example, Dave plans to paint a cow. He studies pictures of cows or the cows themselves, does preliminary drawings and then takes this groundwork and defines on the canvas the image in his minds eye. Pedro, less a realist, might just paint a cow from the internal memory he has from observing cows while visiting his grandmother.

I sometimes make pictures in this manner, using observation first and giving definition second, knowing from the start precisely where I intend to go.

There is another approach to making pictures, though, that I especially enjoy. This morning I decided to call it the Rorschach Technique.

Hermann Rorschach, if you may recall, is the Swiss psychologist who developed the Rorschach Test more famously known as the Inkblot Test. Rorschach was fascinated by inkblot designs while growing up. The development of inkblots into an analysis tool was probably a natural progression for him.

The Rorschach approach is to use the designs to trigger perceptions, to identify personality characteristics in patients. Attempts were made by Rorschach and followers to make the results as scientific as possible. The resulting debates on the validity of these tests as an analysis tool have been with us to this day so that even on Wikipedia their reliability is challenged.

Well, my reference to the inkblot technique is only to suggest that one of my favorite methods of making pictures is to put abstract brush strokes of color onto a surface, then afterwards to see what it looks like. With a few lines, I extract the more defined image which I originally saw in my mind's eye.

Sometimes I like to leave the abstract in an ambiguous form, and other times I highlight and model the shapes to leave little to the viewer's imagination. The picture at the top of this page is titled Man Wrestling With Himself, a strong example of this Rorschach technique. I have been practicing variations of this since last winter using different colors of ink for backgrounds. Lately I have enjoyed the effects created by more muted colors. In this instance a brownish wash was used liberally on the paper. It is almost as if the man wrestling with himself leaped off the page. It was so vivid. Essentially all I did was take pen and ink to outline his form.

Great art? Possibly not, unless by some fluke some important New York art critic tells you otherwise. But it does produce interesting images and, as they say, every picture tells a story.

EDNOTE: Most of the paintings and illustrations on my blog are available for sale. If you see something here that makes you say, "I gotta have it," be sure to let me know and we can negotiate a price. Feel free to click on images to enlarge.

Saturday, May 24, 2008

Take a Picture, or Engage?

I was working on my Honda out in front of the garage this morning when I heard a loud buzzing noise behind me. It sounded like a giant bumblebee, making a vibrating buzz sound. When I turned, it surprised me to see that it was a hummingbird, trying to fly out through the window pane. My first reaction was to attempt a rescue, to make sure he found his way out of the garage. I opened the second door.

He then became fascinated by the lights, flew up to them and took interest in the bulbs and then the bright colored wiring. For half a second he perched on the red wire there after examining it, then resumed his exploration.

I ran houseward to fetch my Sony Cybershot, but when I returned he was gone.

The thought I had next was that I wish I’d stayed to watch him a little more… just because he was so near, so interesting. I wished that I had remained engaged, involved with this surprisingly wondrous visitor.

So often we reach for a camera to “capture the moment” but what is really happening? The irony is that we may capture an image, but we missed the real moment, the opportunity for engagement.

I am not opposed to picture making, video taking, or other forms of documenting special moments in time. What I do believe is that we need to take care to keep it balanced. Here are three areas where I believe engagement it vital.

Engaging Our World
Buzz Aldrin, in his autobiographical recounting of his moonwalk with Neil Armstrong in 1969, reflected that the mission was not really about humans experiencing the moon as fully human beings. Rather, NASA used them to accomplish objectives, assigning them the task of completing nearly eight hours of experiments in a four hour period. Aldrin wrote that for about fifteen seconds he was able to stop and allow himself the luxury of an emotional engagement with this incredible experience. He was standing on the moon. It had been a lifelong dream, and the dream was actually being fulfilled.
Unfortunately, he had no time for fully living and experiencing that moment. It was back to work, documenting, taking pictures, gathering moon rocks.

So it is that we ourselves can forget to engage the wonder that is all around us. The way the sun slants through the trees and glistens on morning dew, the shimmer of stars on a crisp moonless night… It’s an awesome world. As we travel through, let’s spend the whole of our time simply setting up the next shot.

Engaging Others
Listening is more than simply hearing words. Engaging others is more than simply being in their presence. We’ve all seen scenes in movies where the man is reading the paper, the woman is looking through her magazine. Engagement is possible when you put the newspaper down and the mag away. In our house, it was a dinnertime rule: no books at the table. This was a family time, a time to be present, not checked out.
One of the reasons many of us fail to ache for the poor and needy of Third World countries is that we do not encounter or engage such persons very easily. It is easy to stereotype the poor, or Republicans and Democrats, or business people, but wrong. Every person is a unique individual. Each has their own dreams, sorrows, hopes, disappointments. Every one is significant and important. In point of fact, it is impossible to fully understand the meaning of our own lives without connections to others through engagement.

Engaging Our Selves
Who am I, really? A lot of people don’t know because they afraid to peer that deeply within. Loneliness, anxiety, feelings of meaninglessness… what will I find there? What if I don’t like what I see?

Yet, true life satisfaction can only happen when we make contact with our true selves. Many there are who have idealized images of themselves, or distorted ideas of who they feel they ought to be. The net result is self-frustration, disappointment, tyranny by a host of shoulds, self-reproach and a divided self.

Let it go. Begin the quest to know and understand who you are. It will help you in every way, including relationships, career and life purpose.

At the end of your days, the pictures and journal notes you made will trigger memories long forgotten, and will indeed be precious. But the experiences are what have real value. The pictures are but a tool to re-illuminate them.

Thanks for letting my words engage you briefly. I hope you have enjoyed my pictures, too.

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