Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Sunday, July 5, 2026

Jethro Tull and His Views on Manure

While reading the list of Top 100 Ebooks downloaded from Project Gutenberg on July 4, 2026 I noticed that number 60 was  Charles Morton Aikman's Manures and the principles of manuring. In a list that begins with Moby Dick and includes classics by Dostoevsky, Shakespeare, Jane Austen, Thomas Mann, Chesterton and Sir Walter Scott, a book about manure seemed quite surprising, especially when it has reached #60 on the chart.

Jehtro Tull in 1973, the year I saw them.
So I decided to peruse its contents. Early on I found an entry about a fellow named Jethro Tull. My only connection with this name had been through the popular British rock band that emerged in the late 60's and whom I later saw at Ohio U on their Thick as a Brick Tour. 

Did the group take its name from the character in Aikman's manure compendium? As it turns out, the answer is yes. Rock band Jethro Tull took its name from the 18th-century English agronimist Jethro Tull (1674–1741), who pioneered innovations like the seed drill that helped spark the British Agricultural Revolution.

Trivia: When Ian Anderson's band was starting out they weren't that good yet so they kept changing the name of the band in order to get re-booked at places they'd already played. Someone on the staff of their booking agent, who was a historian, suggested. the name Jethro Tull at this time because it was the name they were using when they landed a Thursday night residency at London's famous Marquee Club.

The original Jethro Tull developed a theory about the importance of tilling. The more thoroughly one tilled the soil, the more luxurient the crops would be. 

He believed plant food consisted of the particles of the soil. These particles, however, had to be rendered very tiny before they become available for the plant, which would absorb them by means of its rootlets. This pulverisation of the soil goes on in nature independently of the farmer, but only very slowly, and the farmer has therefore to hasten it on by means of tillage operations. The more efficiently these operations are carried on, the more abundant will the supply.  

According to Aikman, Tull introduced and advocated the system of horse-hoe husbandry. This theory was suggested to him by the custom, which he had noticed on the Continent, of growing vines in rows, and hoeing the intervals between these rows from time to time. The excellent results which followed this mode of cultivation induced him to adopt it in England for his farm crops. 

While Tull's theory was based on principles at heart thoroughly sound, he was carried away by his personal success into drawing unwarrantable deductions. Thus he came to the conclusion that crop rotation was unnecessary, provided that a thorough system of tillage was carried out. He was also persuaded that manures could be entirely dispensed with under his new system of cultivation, for the true function of all manures is to aid in the pulverization of the soil by fermentation. We later learned this was a mistaken notion.   


Another thing Tull did was drill holes into the soil and plant at a specific depth. This approach yielded better results than the popular method called broadcasting, that is, flinging the seeds out in all directions. How interesting that today we still use this term, but apply it to media instead of farming. Of course the word still applies to seeds of a different nature. 


It strikes me that writers and farmers have more in common than we sometimes realize. Both spend much of their lives preparing the ground. The farmer tills the soil, plants carefully, and waits. The writer cultivates minds, sows ideas, and waits. Not every seed germinates. Not every field produces an abundant harvest. But every now and then an idea takes root, grows quietly beneath the surface, and changes someone's life.


Whether we're farmers, musicians, teachers, or writers, we're all in the seed-sowing business. We don't control the weather or the harvest. We simply do our best to plant something worth growing.


Jethro Tull was wrong about manure, but he was right about one thing: the condition of the soil matters. Whether we're growing wheat or wisdom, fertile ground is still where the harvest begins.

Thursday, June 18, 2026

Throwback Thursday: How to Write Like Bob Dylan

June 2016
Every once in a while you need to organize your files so you can find documents when you want them, otherwise you'll be overwhelmed by the clutter. It takes time we usually don't have, but sometimes you gotta do what you gotta do. 

While sorting files from my desktop this weekend (June 2016) I came across a document titled how to write like an expert. I wasn't sure if these were notes of my own making or notes scribbled down from another source, so I was hesitant to post them. It did, however, stir in me a desire to tackle the challenge of creating a blog post on how to write like Bob Dylan.

First, though, I thought I'd check to see if the topic had already been covered, by Googling it. Lo and behold, ScribblePreach has a post on this very theme, and after I read it the case was closed. I didn't think I'd top it, so I've decided to share it.

The blog's creator is Nicholas McDonald, author of the book Faker. What he's done is assemble quotes about writing from various Dylan interviews or writings. In short, it's a selection of observations drawn from Dylan's own words. The examples (comments in blue) are my additions to Mr. McDonald's 2013 post.

Bob Dylan: 11 Writing Tips
1. “It is only natural to pattern yourself after someone. If I wanted to be a painter, I might think about trying to be like Van Gogh, or if I was an actor, act like Laurence Olivier. If I was an architect, there’s Frank Gehry. But you can’t just copy someone. If you like someone’s work, the important thing is to be exposed to everything that person has been exposed to. Anyone who wants to be a songwriter should listen to as much folk music as they can, study the form and structure of stuff that has been around for 100 years.”
eg.: "Farewell Angelina."

2. “You can go anywhere in daily life and have your ears open and hear something, either something someone says to you or something you hear across the room. If it has resonance, you can use it in a song.”
e.g.: "The judge is comin' in, everybody rise" from Nettie Moore.

3. “That’s another way of writing a song, of course. Just talking to somebody who ain’t there. That’s the best way. That’s the truest way.”
e.g.: "Blowin' in the Wind"

4. “Creativity is not like a freight train going down the tracks. It’s something that has to be caressed and treated with a great deal of respect… you’ve got to program your brain not to think too much.”
e.g.; "It Takes A Lot To Laugh, It Takes A Train To Cry."

5. “Let’s face it. You’re either serious about what you’re doing or you’re not serious about what you’re doing. And you can’t mix the two.”
e.g.: "Million Dollar Bash"

6. “The environment to write the song is extremely important. It has to bring something out in me that wants to be brought out. It’s a contemplative, reflective thing.”
e.g. "The Times They Are A-Changin'."

7. “It’s not a good idea and it’s bad luck to look for life’s guidance to popular entertainers. It’s bad luck to do that. No one should do that. Popular entertainers are fine, there’s nothing the matter with that but as long as you know where you’re standing and what ground you’re on, many of them, they don’t know what they’re doing either.”
Examples abound.

8. “The best songs to me — my best songs — are songs which were written very quickly. Yeah, very, very quickly. Just about as much time as it takes to write it down is about as long as it takes to write it.”
Some good stuff in this Bob Dylan Song Talk Interview.

9. “In my mind it’s never really been seriously a profession… It’s been more confessional than professional.”
e.g.: "Every Grain Of Sand."

10. “It is the first line that gives the inspiration and then it’s like riding a bull. Either you just stick with it, or you don’t.”
e.g.: Simple Twist of Fate; Where Are You Tonight? -- This is similar to the advice Paul Simon gave about song writing on the documentary about making Graceland. Begin with one true statement and follow it forward.

11. I couldn’t find the quote, but my writing professor in Oxford once told me Dylan always tried to take a classical story and add something totally unexpected to it. For example, in his song “As I went out one morning” Dylan takes the “Damsel in Distress” tale and adds his own twist – the Damsel is a prostitute. I’ll give 10 cents to whoever can track that quote down.
e.g.: "Seven Curses."

Source: Scribble Preach.  <<This link is no longer active.>>

My Thoughts
The best advice is found in the first admonition. Find your own voice. Don't try to write like Dylan. If you were to succeed, you'll be known as "the guy who can write like Dylan." Wouldn't you rather be known as you? Picasso could paint like Rembrandt as a teen, but had he only painted like Rembrandt, would he have broken the new terrain that liberated art from its moorings?

Study, listen, learn... and discover what you're capable of by doing it.

Meantime, life goes on all around you. Celebrate it while you can. 

Wednesday, June 17, 2026

When Leo Tolstoy Went to Bangladesh

One of the unexpected pleasures of writing is discovering that words have a life of their own.

You put them on paper (or more likely a computer screen), press "Publish," and they quietly disappear into the digital universe. Most of the time you never know where they go or whose eyeballs will encounter them.  

A few months ago I received an email from Bangladesh.

Nahar Trina, an author, translator and editor of the Bengali literary webzine Golpopath, had stumbled across an old post on Ennyman's Territory: Imaginary Interviews: My Visit with Leo Tolstoy. She asked if she might translate it into Bengali so it could be shared with her readers.

How could I say no?

Her note was gracious:

"I thoroughly enjoyed reading 'Imaginary Interviews: My Visit with Leo Tolstoy' on your blog, Ennyman's Territory. I would love to share this wonderful piece with Bengali readers by translating it into my mother tongue, Bengali."

She explained that Golpopath is a completely non-commercial literary publication with a devoted readership and assured me the translation would be offered simply for the love of literature.

Recently she sent another message. The 98th issue of Golpopath had been published, and somewhere halfway around the world my imaginary conversation with the great Russian novelist had found a new audience—this time in Bengali.

There's something beautifully circular about that journey.

The publication included this photo of our "visit."
A Russian writer, imagined by an American blogger in Minnesota, translated by a Bengali author for readers in Bangladesh.

It's a reminder that stories ignore borders. They travel farther than passports, politics, and maps. They move from one language into another because someone recognizes an idea, a question, or a moment of humanity worth sharing.

For me, it actually takes me back to my very frst published story, "How Important Is Prayer?" After it was published in a paper called Youth, I received letters from three continents thanking me for the insights I shared, and how what I'd written touched their lives. 

When the World Wide Web emerged in the 1990s, I created a website where I shared art and stories on my website. Before long my story Duel of the Poets was translated into Croatian. Other stories were translated into Russian and French. And two stories by my daughter, who was 12 at the time, were published in California and New Zealand.

As writers, we rarely know where our words will end up. Sometimes they stay close to home. Sometimes they wander farther than we ever will. An example of this idea is the heart of my story A Poem About Truth.

I'm grateful to Nahar Trina and the editors of Golpopath for giving my little literary experiment a second life in another language. And I'm reminded once again that the community of readers is much larger than we imagine. 

Somewhere tonight, someone I will never meet may be reading an imaginary interview with Leo Tolstoy—in Bengali. Because words have wings.

I think Leo would smile.

Link to the Bengali version:

Wednesday, June 10, 2026

Journal Notes from the Summer of '93

In early 1993, I pitched a book idea to Thomas Nelson Publishing and a movie concept to a producer on the set of Iron Will, and within a month both offered me opportunities to move forward.


While working full-time, I created a tight eight-month plan with two critical deadlines: August 1 for the book and October 1 the screenplay. But then my wife Susie threw me a curveball. She'd had enough of living in town and wanted us to go house-hunting so we could move to the country that year. To do all three felt like more than I could handle. I countered with this: she could go house hunting with a friend and after August 1 I would go see what they found. 


Sure enough, she brought me to look at a house on August 2, and by the end of the week we were owners of 8+ acres, a house and two garages--his and hers. By October we moved in and the screenplay was completed as well. 


Here are a few select entries from my journal that summer.


Seeds / Journal Notes


Proverbs 17:3
The crucible is for silver,

the furnace for gold.

The Lord tries hearts.


 

D.H. writes of our tendency as grapes to complain about the instruments God chooses when crushing us to produce holy wine.

June 23, 1993

 

Monday Ralph had a dream that I brought him two Bibles. Afterwards he said, “Who gave me this dream?”  I suggested that when he reads the Bibles, he’ll find out.

June 30, 1993

 

We remember our dreams to our own peril.    
June 30, 1993

 

At root I am depressed by the thought that I am not going to “make it” as a writer. That is, that I do not have the drive, the “neurotic passion” that is sufficient to make it.  That is, I allow other things to distract me, diffuse my energy, divert me from my course. I am not writing every day, every night.  And even though I am far more productive than my peers, it seems that I create illusions that give the impression that I am much more than I am. Do I have what it takes? Or am I just a small peeper making big noises that carry with the wind?

July 2, 1993

 

Our lives are written in time like words upon a scroll, with none of it to be erased.

July 3, 1993

 

I have labored these many years to produce a body of work. Today it seems so small… with so many stories yet to tell.  
July 5, 1993

  

There were four of us, brothers… till the four winds scattered us ‘cross the wild unwatered plains while the seeds of future dreams are nourished by private wells.

July 17, 1997

Thursday, November 20, 2025

The Dark Arena: An Anecdote about the Writing Life

Throwback Thursday*

Nearing the finish of Mario Puzo's The Dark Arena, an early novel written before his fame. He must have been dealing with his own inner demons here, after going through the war. Was Puzo (the character) Mosca? The book is dedicated, "for Erika." Written in 1953. He was writing for almost two decades before producing his mega-blockbuster The Godfather. Years of discipline and development, unseen in the womb of dark struggle, where the writer is formed: The Arena. Only the best gladiators will survive... the rest are washed away and forgotten. We remember not their names. "The race is not to the swift nor the battle to the strong, but time and chance happen to them all."
April 20, 1998


I wrote this journal entry upon completion of my short story Unremembered History of the World and as I neared the end of Puzo's book, which I was reading at the time. In my youth I remember vividly the reading of his compelling blockbuster The Godfather. One evening I couldn't put it down, and when my mom got up in the morning I’d been lying on the couch reading all night.


The power of good books is revealed in this anecdote which I remember from a Puzo interview years ago. He had been a struggling writer for years, but with the success of The Godfather he suddenly had more wealth than he could have ever dreamed of. For a year he did everything money could buy, went everywhere, exhausted himself in his pursuits. At the end of it all, he was bored by everything... except his books. Reading, he said, was the one thing that he never tired of.


I would concur.

* * * 

* During my first year of blogging (2007-2008) I would riff on passages from my 30 years of journal writing. This blog post was published 2 January 2008.


Related Link: Unremembered Histories: Six Stories with a Supernatural Twist

Sunday, August 24, 2025

Limbo Exercises: What They Were To Me

Self Portrait, 1981 (Acrylic on cardboard)
In the early 1980s, when I first embraced writing as a calling, I read On Becoming A Writer (1934) by Dorothea Brande. Ms. Brande was an American writer, editor, and writing instructor from Chicago. Her book, a treasure trove of practical advice on writing and personal development, is a classic on the creative process. In particular, two pieces of practical advice helped me immensely. The first: write every day. The second, however, was the game-changer. She said that it was imperative to learn how to write on command. 

In other words, don’t wait for “inspiration.” Don’t wait for the earth to move. Rather, write because it is your job (or decision) to do so. For me personally, she was saying, "Set aside a designated time to sit down and write."

 

I took this to heart. Every day after supper I would sit at my typewriter and fill a page with words. Some of it was stream of consciousness, some of it was preconceived ideas I’d organized in my head while apartment painting during the day, and some of it was poetic expression. Whether it took 10 minutes or 25 minutes was immaterial. Building the habit of producing words on paper was the aim.

 

The name I gave to these daily missives was Limbo Exercises. Just as we need to be physically active to keep our muscle tone and physical health, so it is that writing keeps us exercising our minds, which is good for our mental health.

 

What did I learn from these exercises? Discipline. In the process I also found that some of what I produced became seeds for stories, articles and poems. No Pulitzer Prize material, but a few little gemstones that could polished and shared to lift people's spirits or make people think.

 

I wrote the above as an explanation for any blog posts with the subtitle Limbo Exercise #2 or #17 or whatever.. The idea was resurrected by reading Kent Peterson’s substack, Tales from a Rolltop Desk. Kent writes the old-fashioned way, with that beautiful sound of clickety-clack emanating from his fingers on a typewriter. 

 

There are some who insist the best, and maybe only, way to write is with a pencil or pen on paper. My personal view is this: The right way is the way that works for you. 

 

Are you called to write? Then do it. 


Related

Limbo Exercise #41

Monday, August 18, 2025

Extracts from a Writer's Notebook

Writers’ notebooks are personal repositories where authors like F. Scott Fitzgerald jotted down ideas, observations, character sketches, plot fragments, and vivid descriptions. Such notebooks serve as creative incubators, capturing fleeting thoughts and inspirations for later development into stories, novels, or essays. They allow writers to experiment with language, refine their voice, and store raw material—dialogue snippets, settings, or metaphors—that might spark a masterpiece. 

Years ago I read Charles W. Conn's book of pithy one-liners called The Pointed Pen. He was sharp. Inspired by the memory of this book (I'd read it while visiting Coatepec on the outskirts of Xalapa, Mexico) I decided to comb through my own journal notebooks to see what kind of gems I might find. Unfortunately, there was more pulp than pith, more bones than meat, more rocks than gems. 

While cleaning out some drawers this weekend I came across a couple of sheets of those notes and decided to post them here. 

* * * * *

A mind whose feet teetered under the weight of a thousand rickety tensions.

What do you demean by that? (Peter O)

How'd they get so jaded?

Waisted Minds slogan: A Waist is a terrible thing to mind.

"Red is the soil of Burma, Red also are its cliffs." (from The Harp of Burma)

The great battle for significance is a battle against irrelevance.

"If I'm so successful, why am I so lonely?"

How to get blessed: Be a blessing.

Why are Texans so Austintatious?

Song of the Matrix  (EdNote: This was 10 years before the movie.)

The Four Atomic Sons of Madame Fauvre [title]

Jimmy Johnson's Message to his team after Super Bowl Victory: "This feeling of love that you share right now you will have the rest of your lives."

A man who needs nothing can afford to risk everything. (8-28-88)

Freestyle Frost Flicker --> Name of Product for cleaning ice off windows

"The melancholy of all things done." (Buzz Aldrin, after returning from moon)

"The footprints we left on the moon were not ours but were for all mankind." (Aldrin)

His blood turned to wine and sang through his veins.

Knitting his brows, he lapsed into an introspective state, his lips moving as one who utters mystic nonsense.

"I'm gonna max out my Monkey card." (newspeak example)

The Power Cafe (name for a restaurant)

The Magic of Northern Italy

They were stereotypes, cardboard cutouts, punched out from pre-fabricated liberal lexicons. 

Is this man really capable of conceiving a penetrating question?

Opinionitis

P.I.N. Formula (Dr. Edward de Bono)
P = Positive aspect
I = Interesting aspect
N = Negative aspect

Exploit the possibilities in an idea.

Point of View: A particular way of assigning priorities to the factors involved in a situation.

To be effective we must learn how to tame our value judgments. We cannot listen and hear if we are always making snap judgments. A mature mind 
becomes more effective when it is able to suspend value judgments.

She lived a life encumbered by long sets of inner rules that bound her more tightly than chains.

Ogilvie said, "The greatest sin in advertising is to be boring."

The second greatest sin: Not agreeing with David Ogilvie

Creativity and courage to take risks...

Content and form...

Suicide is a permanent solution to a temporary problem.

* * * 

Keeping a notebook fosters discipline, sharpens observational skills, and preserves moments that might otherwise fade. The faintest ink outlasts the strongest memory. For Fitzgerald, his notes (e.g., The Crack-Up) reveal his process, blending raw creativity with meticulous craft, essential for any writer’s growth.

Friday, May 23, 2025

On Writing Well

Writing has changed the world more than almost any other activity. Ideas are passed on from one generation to the next through the written word.


Political movements may begin with a fire in the breast, but it is the written word that distributes this fire far and wide. The American Revolution was successful in large part because of the printing press. The sacred truths of Judaism, Christianity, Buddhism, Hinduism and Islam have influence today because their holy books were preserved in writing.


Why do we remember Marco Polo’s travels to China but know nothing of his uncle’s previous journeys to this exotic foreign land? The answer is self-evident when we learn that Marco Polo spent time in jail with a writer who recorded his stories and preserved them for posterity.


In the business world, it is almost impossible to be a person of influence without writing skills. Whether crafting business plans or sales presentations, memos or ad copy, the written word is the coin of the realm.


For the most part our young peoples’ future influence will be in direct proportion to their skill with the written word

* * * 

Writing is one of those magical skills that not only helps us communicate with others, it also helps us understand ourselves. Writing forces us to clarify our thoughts. As our language becomes more precise in the reflection of our thoughts, feelings and observations, we get better at understanding and articulating our innermost selves. Once writing well begins to matter to us, we’re forced to think with greater care about the words we choose, and the nuances of language. 

* * * 

Available on Amazon, or locally at Chester Creeks Books on 14th Avenue East.

Photo by Thom Milkovic on Unsplash

Thursday, December 26, 2024

2024’s Most Popular Stories @ Ennyman's Territory

It's that time of year, a time for looking back before leaping forward into the year to come. A lot happened this year. Whether it be wars, politics, Wall Street or pop culture, there was plenty to keep us distracted and plenty for media moguls to write or tallk about.

My blogging output declined this year as I dedicated my time to other projects. A lot more was written than published this year, in part because I lacked the motivation to polish rough drafts to an acceptable standard. C'est la vie.

Here's a summary of my topics from the year now expiring.

Something Old: Writing about Dylan. 

Something New: A lot of experimenting with various A.I. applications this year.

Something Borrowed: The seeds for many topics came from a vast range of sources.

Something Blue: There's plenty to be blue about. Some of it finds its way here.

Here's a look back at the past year's most read blog posts.

Top 10 of 2024

Bob Dylan's "Saving Grace" Offers Comfort in a Time of Need   
Apr 28 


Analyzing Bob Dylan's "Changing of the Guards" Using ChatGPT

July 9


Apocalyptic Themes in the Music of Bob Dylan: Can This Really Be the End?

May 21


Back in Nashville: Nevada Bob Recording "You Can't Finish What You Don't Start"

July 24


Another Dylan Fest Is in the Books: Many 2024 Memories Generated

May 27


No Body To Murder: Hilarious One-Act Play at the County Seat Theater in Cloquet

JAN 26


Get Ready to Celebrate National Record Store Day at the New Globe News in Superior

         April 15


Simple Simon Met A Pie Man. What's the Point? ChatGPT Explains.

June 25


A Kafka Fragment from His Lost Writings

Nov 13


Clouds and Illusions: The Timelessness of Both Sides Now     

May 30


A Night to Remember: Cookin' at the O' with Danish Jazz Sensation Sinne Eeg

Oct 29


P.S. If you're on the fence about seeing the new Dylan film 

A Complete Unknown: go see it. 

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