Saturday, April 13, 2013

Summing Up Last Night's Art Stroll

Uppercut by Tyler Johnson
Over the past several years we've gotten spoiled. Warm weather came early, and Jack Frost recoiled northward. Not so in 2013 as we've just been docked with more than a foot of snow and drifts as high as three feet in certain places around our property. Naturally when spring comes early I remind people that it wasn't that long ago we had eight-inch snowstorms on the second and third weekends of May. And three years ago I had to wear gloves in July. So, let's just make those necessary mental adjustments and get on with it.

Despite being snowed in all day yesterday, I was able to make it out to several art openings on Second Friday downtown here in Duluth. Another great evening of art and social experiences.

We started at the Washington Gallery where Flo Matamoros and Tyler Johnson were displaying original work in the two regions of the gallery. Both are younger artists expressing themselves in different styles. Matamoros presented images she created using a Sharpie on cardstock or on wood panels. Most were simple but some exemplified a greater complexity, playing off the natural grain of the wood. She also showed several paintings for a total of 30 pieces.

Detail from "Practice Makes Perfect"
Johnson, who is a fledgling staffer at the Duluth Art Institute, presented some interesting work that became moreso as you dug into it. Many of the pieces conveyed a recurring sports motif and I inquired as to its significance. Johnson said that he'd been reflecting on American ideals and certainly sports has become a high profile example of what our country seems to be about. He asks the question, "Why is the Golden Boy our standard?"

Detail from "Practice Makes Perfect"
The pieces themselves varied but always gave a sense that there was more there than meets the eye. That is, were one to ask about what was going on in the pieces we'd have a good evening of discussion going. On one wall, for example, there is an X and an O, with the football characters interspersed strategically here and there. Upon further investigation I learned that the X and O were derived from the X's and O's that coaches make when outlining a play on the drawing board. "Wilson, you go here and Swanny will hit you on three."

Interestingly enough much of Jen Dietrich's exhibit at the PROVE Gallery also featured sports related iconography. Dietrich the football fan has made visual some interesting observations about gender perceptions by superimposing the images of powerful women over NFL legends. We see Hillary Clinton paired with Dick Butkus, except the all-star middle linebacker is only visible through Ms. Clinton's features, not alongside it. Mike Ditka and Gloria Steinem share another composition, as do Vince Lombardi and Elanor Roosevelt among others.

A handout helped explain the backstory for these pieces. "This new body of work investigates my all-consuming obsession with American cultural identity as well as personal identity." It's interesting that when men are aggressive it can be deemed strength and leadership, but when women are aggressive they are deemed bitchy.

Dietrich also presented a set of seven compositions featuring Ed Hochulis, a lawyer who has become one of the most popular referees in NFL history.

Sandy Gillespie
The dynamic work of Sandy Gillespie filled the back half of the gallery. Gillespie is a Minneapolis artist who has recently returned to the midwest after 22 years in Alaska in order to be near her children and grandchildren. The new work expresses her struggle through this year of transition, what she calls her "personal conversation with loss and grief, betrayal and anger." The materials she works with are uncommon: encaustic, journal pages, hair, nails and acupuncture needles.

We strolled down the alley to Ochre Ghost after this, which brought us into the psychedelic mindscape of Zachary Moser. The space had been converted into a multi-media montage of images, animations and something wholly other. The show was titled New Mythology: An Installation by Zachary Moser. If you missed it because the weather held you back, they will be opening their doors this afternoon from 4 - 5 p.m.


Meantime... life goes on. Keep your eyes open and take it in.

Friday, April 12, 2013

AFF ~ The Red Scorpion

According to the Association of American Publishers nearly one-fourth of all 2012 book sales were eBooks. That's an astonishing number if you ask me. The actual amount was 23% with an expectation that though the rate of growth has slowed, it will still grow by 41% in 2013.

Ray Bradbury, who wrote Fahrenheit 451, undoubtedly never anticipated the eBook phenomenon. Fahrenheit 451 portrays a future in which firemen burn books because they are illegal. The story was written in response to McCarthy-era censorship. The title comes from the flash point of paper, the temp at which books would ignite on their own.

So, what is the flash point of an eBook? I suppose the modern version of Bradbury's novel could be titled Fahrenheit 392, the temperature at which a typical Kindle or Nook might melt. (I have not tested this theory yet.)

Today, April 12, is AFF... 
Another FREE Friday 
@ N&L Publishing.

Here’s the deal. Today N&L Publishing is making The Red Scorpion available for free download. Even if you do not have a Kindle or other digital reading device, you can still read my first novel on your iPad or tablet or most laptops and computers when you download the app. Anyone with an iPad, or a tablet of any kind, or even a computer can download and read eBooks. 

Today only: download The Red Scorpion here.

The Red Scorpion is a haunted house story with a supernatural twist. I wrote the book with the aim of creating a compelling adventure that teenage boys would want to read, but would be entertaining for all ages. My secondary reason for writing this novel was because a literary agent said that although I wrote excellent short stories, no major publisher was going to publish a my work until I wrote a novel. Since that's the game, I made the necessary sacrifices to give birth to this book.

Having written three Hollywood screenplays (yes, I had that dream, too) it was easy to create the story in such a manner as to make it easily translated to the silver screen. Feel free to share it with your friends who are producers... or all your friends, for that matter. And reviews on Amazon.com are always welcome.

Enjoy!

Thursday, April 11, 2013

Recommendations for Tomorrow Night and Beyond

“A revolution without dancing is a revolution not worth having.” ~ V for Vendetta

Seems like a good time for recommendations again. Last week I was quite pleasantly surprised that though the Trib has a Best Bets column in the Wave on Thursdays, it seemed like none of the items they covered were duplicated in my Thursday Best Bets posting. Even more exciting to me was seeing Ann Klefstad’s column in the Transistor and discovering that we had covered completely mostly different regions of the arts scene. In short, there is a lot happening in the Twin Ports and we could use a few more journalists to cover the beat.

This week it's not the case. The Trib's Wave includes the Second Friday art walk amongst it's Twin Ports offerings this morning. Tomorrow is the Second Friday visual arts action downtown and it should be a fabulous evening with openings at Washington Galleries, Ochre Ghost and the PROVE once again. If you are reading this from points south, east or west, know that we’ve still got blankets of snowfall here as Jack Frost seems fairly adamant about not releasing his grip with those icy winter fingers of his. That shouldn't stop anyone from getting out. Just be careful about parking on the avenues.

On to the shows:

Washington Galleries
Heart and Soul
I'm looking forward to tomorrow's openings. Duluth artists Flo Matamoros and Tyler Johnson open an exhibition of paintings and multimedia art beginning April 5 and showing through April 14 at Washington Gallery. The artist reception will be held Friday, April 12 from 6-9pm. In addition to the art, there will be others joining in to make it a special evening including Bob Monahan,performing some Spoken Word, plus melodies and tunes by Jacob Swanson, Kathryn Schumacher and Yester. Matamoros does oil painting but in this show will be sharing her meditative line art produced with Sharpies. Johnson produces multi-media work with varying levels of complexity. It will be my first stop tomorrow evening.

Ochre Ghost
New Mythology
Features a multimedia installation by Zachary Moser.

PRĂ˜VE Gallery
ImPULSE
New work by Jen Dietrich and Sandy Gillespie. This is a show I have been especially looking forward to. Atmosphere and music throughout the opening night will be provided by the Crunchy Bunch. Refreshments will be provided by Lake Superior Brewing. As Always, all these events are free and open to the public. 

UMD Kirby Plaza
21st-Century Publishing: Industry, Media, and the Future of Print
Tomorrow's publishing conference might be something you won't want to miss if you're a writer or in any way interested in current trends in the publishing industry. They would like people to register in advance so if you're interested in learning more, or attending, visit their web pages here. The publishing world has undergone an incredible transformation. I'm certain that tomorrow's event will only scratch the surface. It should be a good experience for all who attend.

Phantom Galleries
Seeding the Next Generation
Saturday there's a student art show in Superior. You might want to head over there in the afternoon to the Phantom Galleries New York Building location from 1-5 p.m. The show will feature student artists from Superior High School and Northwestern High School-Maple. 1412 Tower Ave, Superior.

And as if this weren't enough, wait till we start moving into the events of North x North Twin Ports Arts Month, beginning with Homegrown. Having so much happening is a blessing a curse. Many events will require hard decisions, choices betwixt and between.  The two-day Steampunk Extravaganza at the DAI will be a thrill, except Scarlet Rivera is also in town with Gene LaFond and his Wild Unknown on that Friday for Hard Rain In Duluth: After the Flood. I use this only as an example of the challenges that lie ahead.

When you absolutely don't know where to go, take a stroll on the Lakewalk and let the fresh breeze wash over you till your head is clear and your heart swept away.

Meantime life goes on all around you.

Tuesday, April 9, 2013

Six Minutes with Maria Sutton, Author of The Night Sky

I took an interest in Maria Sutton’s The Night Sky because it is a compelling story about a quest. Young Maria had learned that her father was not her birth father and she set about to find him, to learn his story, and ultimately to re-connect with a portion of herself which had been lost in that great upheaval called World War II. The second reason I felt compelled to read the book was that it once again answers questions many people have about what really happened to so many people who were wounded by that terrible war. Sutton’s candid tale of persistence, hope, fear, confusion and pain makes for more than a good read.

The book's full title is The Night Sky: A Journey from Dachau to Denver and Back. There are many lessons here that we can all benefit from because she took the time to record and share them.

EN: Why did you write this book?

Maria Sutton: Millions of people are searching for something -- whether it be a new job, significant other, or something they think is missing in their lives. I wanted people to know that if they never give up, despite seemingly insurmountable obstacles, they will find that thing for which they searched. In the end, it may not turn out to be what they thought or hoped it would be, but it may be even something better. Many people have told me my story inspired them to continue reach for those stars – and that’s why I wrote the book, so that readers would know they can find their dreams.

EN: How many trips to Europe did you make in order to find your father and the rest of your family’s history?

MS: Europe is a fascinating, intriguing place to be solving a mystery. The history, architecture, culture, and friendly, helpful people, made me feel I was on a vacation instead of on a hunt. I sleuthed around Europe for fourteen years, covering four countries and six trips. The Internet helped me zero in on the places I needed to visit, but had I not been able to review documents in those foreign countries, the mystery would not have unraveled.

EN: What was the first clue that the image of your father was overly romanticized?

MS: There were so many clues along the way, but I dismissed all the ones that didn’t fit the image of what I wanted my father to be. A little voice inside my head kept telling me I was setting myself up for disappointment, but I didn’t listen to it – just like I didn’t listen to my mother’s comments that I should stop searching for Jozef. In the end, I knew no one could live up to the image I had conjured up in my mind, but that didn’t stop me from romanticizing about him. The picture of him that Angelica sent me still haunts me because it revealed his inner soul, and was the first of a series of shocking revelations.

EN: It seems that so many Americans are clueless about what Europe went through during the two World Wars. Your story helps bring understanding. What are the most painful truths you learned besides what you learned about your father?

MS: Man’s inhumanity to man was the most painful truth I learned when researching the tumultuous WWII era. The senseless killings, mass murders, and torturing of innocent people made me painfully aware of the evil that is within ordinary people, but the resilience of the human spirit is how I want my story to be remembered.

EN: What is the meaning of your title, The Night Sky?

MS: I love this question and get asked it a lot. From the time I first started writing the book, I knew I wanted to name it The Night Sky because all my life I have been looking at the stars of the night sky, knowing that somewhere beyond the stars of the night sky there was another world where my family was drinking coffee, eating bread, talking, laughing, and planting flowers and vegetables – and I wanted to reach out and touch them.

EN: How did the experiences that you share here change you?

MS: Finding my father was an epiphany for me. I had to come to terms with what I found during my search, and it could have shattered any illusions I had about myself. Instead, it made me a stronger person. It was a hard way to find out that only I have the power to define myself.

EN: How did writing this story change you?

MS: I am amazed at how many people have contacted me after reading my book. I get emails, letters, and phone calls from all over the world, people wanting to meet me, so I am humbled and honored that people feel my story has helped them with their life struggles in some way. If my story has made a difference in someone’s life, then I’m glad I shared my personal tragedies and triumphs. Many of the things I wrote about were embarrassing to me and I didn’t want to disclose them – just gloss over them, but I realized it would not have been an honest book if I had done so. I have also learned that truth, in all its ugliness, is a beautiful thing that sets you free.

EN: Where can people find out more about this book and purchase it?

MS: Thank you for asking! The Night Sky can be found on Amazon, Barnes & Noble, and in most libraries. Readers can just Google “Maria Sutton The Night Sky” and about 14 million websites should pop-up.

Night sky photo courtesy Andrew Perfetti Photography

Monday, April 8, 2013

Let's Live For Today

The best thing about the future is that it comes only one day at a time. ~Abraham Lincoln

Yesterday I started listening to Dale Carnegie's How To Stop Worrying & Start Living. Carnegie, if you recall, was the author of that phenomenal bestseller How To Win Friends & Influence People. If you have not read this latter, which was actually former to How To Stop Worrying, then you owe it to yourself to get a copy and make it a long term course for meditation. It is rich with anecdotes and literally life-changing advice.

Carnegie himself was born in poverty but went to college to become a teacher. After this, that and a handful of other misdirections, he found a measure of footing as a lecturer, and wrote a few unsuccessful books before churning out How To Win Friends, which proved a bestseller right out of the gate. By the time he died, the book had sold millions of copies and had been translated into 31 languages.

The funny part of How To Stop Worrying for me is that I can't help but associate the title with Stanley Kubrick's Dr. Strangelove, a film that carries the comically menacing subtitle How to Stop Worrying & Love the Bomb. Nevertheless, Carnegie's book is no sideshow.

Carnegie’s book is similar in style to How to Win Friends in the sense that it is a compilation of anecdotal stories, quotes from famous people and insights from research. An early chapter addresses the importance of living one day at a time, not allowing the past to wreck the present or anxieties about the the future to ruin today. He writes, “One of the most tragic things I know about human nature is that all of us tend to put off living. We are all dreaming of some magical rose garden over the horizon - instead of enjoying the roses that are blooming outside our windows today.”
I’m sure that most of us have at one time or another allowed worries about the future to stain our enjoyment of the present. And who has not wrestled with regrets about the past at one time or another. Regret was what trapped the father in the hall of mirrors in Ray Bradbury’s Something Wicked This Way Comes.

Whether it’s the past or future that sideswipes your enjoyment of the present, let it go. Here are some good quotes to mull over.

“With the past, I have nothing to do; nor with the future. I live now.” ~Ralph Waldo Emerson

“Don't let the past steal your present.” ~Cherralea Morgen

“There is no distance on this earth as far away as yesterday.” ~Robert Nathan

“No man is rich enough to buy back his past.” ~Oscar Wilde

“The past is a good place to visit, but I wouldn't want to live there.” ~Author Unknown

“Waste not fresh tears over old griefs.” ~Euripides

"Make it happen. Let's live for today." ~ennyman

THIS IS A RE-POST FROM A BLOG ENTRY OF JULY 2009

Sunday, April 7, 2013

How Are We Doing?

Anyone who's grown up watching football has seen it. Now, in both NFL and college football, hot dogging has been outlawed. Last year, in fact, the Cleveland Browns even lost a game because of one of their players got a penalty for hot dogging after a play. These hot dogging rules are of relatively recent vintage, the crime being excessive celebration after a big play.

I've always thought it would be fun to make a short satirical film with some over-the-top hot dogging by everyone involved. The quarterback throws a pass and starts doing back flips because it's on target. The receiver catches it and starts dancing. The cornerback wings him and starts hot dogging for his tackle. The ref throws a flag and then starts celebrating for having made the call. The camera swings up into the announcer's booth and Al Michaels is high fiving everyone for the way he called it.

Bottom line: hot dogging was getting pretty annoying.

There's something else I've begun to find annoying. I'm wondering how and when the people who do this can be penalized. I'm talking about those "How are we doing?" follow-up emails and phone calls and text messages that occur after we make a transaction with a big company. It's not only intrusive but half the time I wonder if they really care.

I received an email from one company with 15 questions about the 30 second transaction beginning with the question, Did they address you by name? I don't remember.

What's interesting is that many people foresaw these customer service techniques more than half a century ago. One such visionary was French philosopher and theologian Jacques Ellul, author of The Technological Society. In his foreword to the book Robert K. Merton writes, "...Ellul's subect, comes close to giving the reader a sense of what the dominance of technique might mean for the present and future of man. In short... The Technological Society requires us to examine anew what the author describes as the essential tragedy of a civilization increasingly dominated by technique." And that's what annoys us. 

When Ellul addresses technology, he isn't simply referring to machines. He's talking about technique as applied to sales and customer service and even employer/employee relations. The sum total of everything is to leave humanity de-humanized. Or, as he puts it in his notes to the reader, "the totality of methods rationally arrived at and having absolute efficiency (for a given stage of development) in every field of human activity."

The common denominator in Haxley's Brave New World, Orwell's 1984 and C.S. Lewis' That Hideous Strength was their future vision of de-humanized mankind. The forms of society differed but the net outcome was common, a non-thinking, emotionally flat, easily managed will-less humanity. In Lewis' book this antithesis of man was called the unman.

Twice this week I had dealings with my cell phone company. Twice they texted me after to ask how their customer service was. Twice I was annoyed and did not reply. The banks do it. My internet service provider sends an email after I make a call because my service was interrupted.

Nowadays we have techniques for making decisions, techniques for handling difficult customers, techniques for "closing the sale," techniques for being better dressed, techniques for looking like we care when we're listening, and techniques for meeting people of the opposite sex. And though we call it "spin" now, there are techniques for manipulating the masses by means of the media.

Efficiency, per se, is not always a bad thing. We all hate inefficient meetings, for example. But when it becomes an ultimiate value that negates everything else, including common sense, we have a problem.

Here are a few comments from Amazon.com reviews and reviewers:

"With monumental calm and maddening thoroughness he goes through one human activity after another and shows how it has been technicized -- rendered efficient -- and diminished in the process.... " ~Paul Pickrel, Harper's

"The Technological Society is one of the most important books of the second half of the twentieth century. In it, Jacques Ellul convincingly demonstrates that technology, which we continue to conceptualize as the servant of man, will overthrow everything that prevents the internal logic of its development, including humanity itself -- unless we take the necessary steps to move human society out of the environment that 'technique' is creating to meet its own needs." ~Robert Theobald, The Nation

"Whether you agree or disagree with Ellul, he will cause you to question the influence of technology on your life. Without doubt the drive for efficiency (the ultimate law of technology) impacts all our relationships - with our families, our neighbors, our communities, our friends, and our government." ~A reviewer named Joyce

To counteract all this, it's more important than ever that we treat one another like people, and not simply go through the motions. We ourselves will become more human this way.

How are we doing?

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