Showing posts with label red scorpion. Show all posts
Showing posts with label red scorpion. Show all posts

Friday, February 20, 2026

The Red Scorpion Version 2.0

Aztec Calendar (click to enlarge)

My first novel, The Red Scorpion,
 weaves ancient Aztec legend into a modern cautionary tale about pride, curiosity, and unintended consequences. The story went like this:

In the late 1930s, University of Minnesota anthropologist Dr. Harold Comstock encounters a disaffected youth from a secretive indigenous clan while conducting research in the hills near Tepoztlán, Mexico. The youth reveals a guarded secret connected to Quetzalcoatl and the red scorpions believed to protect the legendary man-god’s final resting place.

Comstock brings one of the scorpions back to Minnesota, confident he has secured a rare scientific treasure. Instead, his arrogance sets in motion a quiet but deadly chain of events. Years later, the abandoned Eagle’s Nest bed-and-breakfast—its dark history reduced to rumor—draws the attention of a curious teenager. Dusty Greene soon learns that some myths endure for a reason, and that not all relics are meant to be disturbed.

So begins the tale of The Red Scorpion, rooted in Aztec legend, transported into a modern world where the conflict between good and evil is but a coffee table discussion with no serious aim other than to entertain.

Boys will be boys and when Dusty discovers the abandoned house, now labeled a haunted house in the Internet age, he's thrilled by the idea of exploring it. Dusty Greene hasn’t learned yet that there are some things we really should be afraid of.

When I was young, I myself was fascinated by the notion that abandoned houses might be haunted houses. My aim in writing the YA (Young Adult) novel was to create a story that would be interesting for teenage boys because it seemed that more girls were readers than the boys, and to covey a message that there really is evil in the world.

A few of the details in my story came from personal experience. One feature of the "haunted house" was that the house was built over a sprig with running water. The idea for this came from my own personal history. I'm a descendent of Daniel Boone, whose father Squire Boone built a home over a spring in Pennsylvania, southwest of what is now Allentown. Visiting that site where the house still stands gave me a concept for the final battle between my hero, Dusty, and the Red Scorpion.

Several years after self-publishing this first book I was contacted by a Hollywood producer regarding another project. When I pitched The Red Scorpion as a film concept, he made a couple suggestions, which led to the development and writing of a treatment for a much larger film concept which we called Beyond the Smoking Mirror. You can check it out Here.

Printed copies of The Red Scorpion are no longer available. A digital version of this book is available here at Amazon.com.

Beyond the Smoking Mirror
https://ennyman3.substack.com/p/beyond-the-smoking-mirror-dfb

Friday, November 7, 2025

Grok Reviews My First Novel, The Red Scorpion

It seems like I've used Grok and ChatGPT as resources for quite a while now. One way use these AI LLMs is to obtain brief overviews of books or films that I see referenced in my other reading. Since my reading pile is rather large and I currently still have only 24 hours in a day, I find it useful to use these tools (along with many others such as reviews on Amazon and imdb.com) to become acquainted with authors and film makers whose works are creating a buzz.

All that to say, last night I wondered what Grok's opinion of my first novel might be. So I asked for a brief summary and an analysis, and received the following.

Brief Summary

The Red Scorpion (2011) by Ed Newman is an adventure novel framed as the private journal of Dr. William Comstock, a University of Minnesota anthropologist. In the late 1930s, during a research trip to Mexico, Comstock encounters a disaffected youth from a secretive indigenous clan who reveals a long-guarded secret: a colony of glowing red scorpions that have protected the tomb of the legendary Aztec god Quetzalcoatl for centuries. This discovery propels a multi-generational tale spanning 60 years, shifting between the arid landscapes of Mexico and the everyday life of Minnesota. As the secret unravels, it draws in family dynamics, academic intrigue, and perilous quests, blending historical anthropology with suspenseful action. The story culminates in a resolution that ties personal redemption to cultural legacy, with hints of a larger series. 

Analysis

Ed Newman's debut novel The Red Scorpion emerges from a deeply personal origin: a vivid 1980s dream of an aggressive, glowing red scorpion that haunted the author enough to spawn nearly ten pages of raw description. This autobiographical kernel infuses the book with an eerie authenticity, transforming a nocturnal vision into a layered narrative that bridges anthropology, adventure, and subtle speculative elements. While marketed and reviewed as a young adult (YA) title—thanks to its accessible prose, relatable teen characters, and themes of discovery and growth—it appeals broadly to readers of all ages who enjoy "Indiana Jones"-style escapades tempered by realistic emotional depth. Newman's background as a freelance writer and ad executive shines through in the book's tight pacing and vivid character interactions, making it a compact thriller (around 200 pages) that punches above its weight.


Themes and Motifs

At its core, The Red Scorpion explores the tension between cultural preservation and modern intrusion. The red scorpions serve as a potent symbol—not just literal guardians of Quetzalcoatl's resting place but metaphors for the fragility of indigenous knowledge in the face of Western curiosity and exploitation. Comstock's "serendipitous encounter" with the clan's youth underscores themes of disaffection and betrayal: the boy, alienated from his heritage, becomes a bridge (and unwitting betrayer) to outsiders, raising questions about identity and the cost of sharing sacred secrets. This evolves into a multi-generational arc, where the anthropologist's descendants grapple with the scorpion's curse-like legacy, weaving in life lessons on family loyalty, forgiveness, and the hubris of seeking forbidden truths.


The novel also subtly incorporates speculative intrigue, blending hard anthropology with eerie sci-fi touches. The scorpions' bioluminescent glow and almost sentient protectiveness evoke ancient myths reimagined through a modern lens, hinting at ecological or even supernatural warnings about humanity's overreach. Reviewers note its "suspenseful and eerie page-turner" quality , with twists that build to a "happy resolution"  emphasizing redemption over doom. For YA readers, these elements resonate as a coming-of-age parable: younger characters navigate schoolyard friendships, familial pressures, and moral dilemmas, learning that adventure often uncovers uncomfortable personal histories.


Style and Structure

Newman's prose is straightforward and immersive, favoring short chapters that alternate between high-stakes action (e.g., scorpion-laden tomb raids) and quieter, "normal pace" vignettes of Midwestern life . This rhythm mirrors the story's dual settings—Mexico's exotic, danger-filled wilds versus Minnesota's grounded domesticity—creating a "balanced and varied sequence" of mystery and mundanity . Dialogue feels "true to life," especially in interpersonal scenes, drawing from Newman's storytelling roots (e.g., his award-winning short story "The Breaking Point"). The journal format adds intimacy, as if Comstock is confiding directly to the reader, though some eBook versions suffer from formatting glitches like blank pages. 


Strengths and Weaknesses

Strengths abound in its genre fusion: It's a "mixture between the 'Hardy Boys' series and Indiana Jones", delivering pulse-pounding archaeology without veering into parody. The cultural details—indigenous clans, Quetzalcoatl lore—feel researched and respectful, avoiding exoticism pitfalls common in adventure YA. Character arcs, particularly the youth's disillusionment and Comstock's evolving ethics, provide "life lessons for old and young alike" , making it educational yet entertaining. Amazon reviews praise its grip: "Extremely well written! Grabs your interest from the beginning and does not disappoint at the end!" 


Weaknesses are minor but notable. The speculative elements occasionally strain realism (e.g., the scorpions' improbable guardianship), which might frustrate strict historical fiction fans, though it enhances the thriller vibe. Pacing dips in domestic interludes, and the 60-year span demands quick shifts that could confuse younger readers. As a self-published eBook (via Kindle), it lacks the polish of big-press YA like Rick Riordan's Percy Jackson series, but this rawness adds charm—much like Newman's dream-inspired genesis.


Cultural and Literary Context

In the YA landscape of the early 2010s, The Red Scorpion fits alongside multicultural adventures like The Lightning Thief or Code Name Verity, but with a more anthropological bent. It subtly critiques colonialism through Comstock's arc, aligning with post-9/11 literature's interest in "othered" cultures. Newman's indie ethos (bypassing agents after AOL-era queries) reflects the democratizing force of digital publishing, allowing niche tales like this to reach global audiences despite limited marketing.


Overall, The Red Scorpion is a gem for adventure seekers: a "fun, twisted adventure"  that lingers like its titular creature—fierce, unforgettable, and a bit stinging in its truths. If you're drawn to YA with brains and bite, it's worth the sting.


*

EdNote: My one regret is that the story is only available as an eBook. I enjoyed my Kindle so much that I was seduced into thinking that the digital book market would grow. Digital books were the shiny new toy at the time this was published. I am pleased that people who've read it enjoyed it. 


RELATED LINKS

The Red Scorpion on Amazon.

Nine Books by Ed Newman

Tuesday, April 14, 2020

Another Echo of Ishiguro's The Unconsoled: Dreams of Frustration

A year ago I went on a cross country road trip out East to visit kin, friends and family. It was a very special time during which I listened to a powerful novel by Kazuo Ishiguro's The Unconsoled. It's an amazing, surreal story which I wrote about here last April.

I'd already read a couple of his books, and when visiting my daughter earlier that year I saw that she also had several books by this Nobel Prize winning author on her bookshelf. When I asked her favorite she said "this one." I ordered the audiobook to accompany me on that road trip.

A primary feature of this story is its dreamlike scenes and imagery coupled with extreme frustration. From time to time since reading it I've had similar dreams, including this morning, which I'll try to relate to you here. It's an interesting tale.

14 APRIL 2020
The setting is Canal Park here in Duluth during it's busiest season, summertime. Sidewalks are crowded, parking lots crowded, and the Lakewalk is crowded, which is totally contrary to the emptiness you'll find there right now during our lockdown.

I'm driving near Lake Avenue and returning to my car when I see a friend whom I haven't seen a while, so I pull over to chat. It's not a legal parking spot but it will only be a minute. I cut the conversation short for some reason, perhaps anxious about where I'm parked, so I return to my car and start to pull away.

But my conscience bothers me for the abrupt ending to our conversation and I stop again, leaving the car running as I jog over to properly close our conversation with a Minnesota goodbye. A police officer pulls into the slot where my car had just been and blocks the view of my car with its engine running. When I return to my car it's now missing.

I swing around to tell the cop and he's gone, too. Now what?

When I pull out my cell phone there's some problem getting it to function properly. I press the buttons for 9-1-1 but instead the screen shows 9-11 and says this is not a number. No matter how many times I try the error message comes up.

I begin walking through the crowded sidewalks, jostled and disturbed. I find myself in front of a small sidewalk cafe and see a woman whom I recognize there serving customers. I go take a seat and John Heino, another friend who retired a few years back, steps out from within. He's a server there and he comes over and sits with me, as does the other woman whom I recognized but couldn't recall her name.

Two more people join us from the sidewalk and everyone is chattering on about things. I can only think about my car being stolen. I wait patiently for my turn to say something, but it never comes so I finally interrupt and tell them my car has been stolen and I need to call the police.

Everyone stops talking, not knowing what to say. Then John and the woman, who may have been the manager, get up and return to work. As they do I overhear her comment to John something like, "I don't remember him being so rude."

The other couple gets up and leaves also. I want to defend myself but now don't know what to say, so I head over to the Lakewalk. There's a long sandy path there with something like an arts and crafts show taking place with lots of vendors on my right and left, and people jostling me. My mind is in a fog as I weave through various comical scenes. Some of the vendors are in teardown mode. One vendor had a tipi-like cone shaped display with a dog in the middle wearing something like a millstone collar around its neck like those paintings by the Dutch Masters of the 16th century.

As I look down I see a leather case on the ground, slightly larger than a checkbook. When I open it there's a cell phone inside, but just as I start to call 9-1-1 a middle aged man with a dark mustache leathery skin grabs it out of my hand saying, "Hey, that's mine." He's very angry with me for having his phone.

I ask him to call 9-1-1 but he turns and walks the other direction in a huff.

As I proceed down the path I continue to be jostled, and then come to a mottled grey-green wall that I can't get over. Looking up I see a walkway going perpendicular along the top of the wall which is heading back to Canal Park where I'd started.

When I finally get atop the wall and start heading back I have someone's infant accompanying me. Now I must not only find a phone and my car but also the child's parents. The thought I'm having at that point is that if I call the police they'll accuse me of kidnapping.

It's at that moment of extreme frustration that I awake.

* * * *
In the event that you are wondering how I, or anyone, could remember so many details from a single dream, well, there's some backstory to be aware of. I first began recording my dreams when I was in seventh grade. Upon awaking I would write what I remembered. Over time, and I did this for near six years, I could pull up three, four and sometimes five dream sequence stories. It is a skill one can cultivate, like playing the piano. It's a matter of practice. It also involves writing what you remember as soon as you wake.

The seed for a few of my published stories began with a scene from a dream. My novel The Red Scorpion began that way. A crisis point late in the book began with eight or ten pages of notes that I wrote out longhand one morning upon waking. More than a dozen years later it became fodder for what developed into a full length book which many have found rewarding to read.

As for this morning's nocturnal misadventures, let's just say that fortunately I haven't felt as stressed as that dream during our quarantine period here in our coronavirus era. The dream, however, does seem to hint toward an underlying anxiety beneath the surface of my consciousness. One way or another we'll get through.

Tuesday, March 17, 2020

A Family of Authors: Christina's First Book

My daughter Christina was home this weekend. During her visit, Susie showed us a book that Christina wrote and illustrated when she was four. This was the year I wrote, and sold, my own first book, 1993.


OK, not exactly how you spell Turtle, but it's creative.

Today Christina is a combination stay-at-home mom and crossword puzzle creator. One of her crossword puzzles that goes out via syndication will be in print this Friday in several newspapers. She's a contributor to the NYTimes and was co-collaborator on the first Times crossword puzzle of the new year and new decade.

Crossword Puzzles can make a nice diversion from thinking about coronavirus all the time. Here's an interview with Christina from last year, Creating Crosswords for Fun and Profit.

Related Links
Here's a link to my own books. Some are eBooks, some in print, a couple at our local library. And a link to The Red Scorpion, my first novel. I noticed yesterday that The Red Scorpion, has some parallels to COVID-19. Both stories begin in a foreign country, crosses into MN, becomes terrifying, results in some deaths, but ultimately has a happy ending. 

There's another aspect of the story that is intriguing. In my story, the Red Scorpion has the power to get inside your head so that you start to doubt whether it is real or not. It's uncanny how similar that aspect of things is in regards to our current pandemic.

Anyways, if you run out of things to do and want a little diversion, here are some ideas to hold you over till the libraries are open again. 

Friday, July 21, 2017

Flashback Friday: The Red Scorpion, Revisited

I don't know if all writers feel this way, but I know that many do. The process of creation is energizing and exceedingly rewarding. On the other hand the process of marketing what we've done afterwards is much less so, and at times even odious. Here's a quote I saw the other day about this conflict: "I feel like the wretched employee of my former self. My former self being the happily engaged novelist who now send me, a kind of brush salesman, out on the road to hawk this book. He got all the fun writing it. I'm the poor sap who has to go sell it."

Funny thing is, I've had a career in marketing and actually relish the whole game of planning and executing marketing campaigns, and all the problem solving that accompanies it. So it's a strange thing to see this other self pushed out the door to "make something happen."

Last night I produced an intro to a new story, made progress on a couple other articles, and added a new page on my Many Faces art blog, no doubt all of it a form of procrastination from doing this, attempting to draw attention to my YA novel that's been an eBook since 2011. The idea of it, here, is to give five or so chapters and see if I can get a couple new readers hooked.  

In this opening section of the book I try to capture a wee bit of my own feelings upon visiting Cuernavaca, on the south face of the mountain that serves as a pedestal for Mexico City. This was the setting for Malcolm Lowry's Under the Volcano as well as the John Huston film based on that book.  

The Red Scorpion
A Haunted House Story with a Supernatural Twist

BOOK ONE
Based on the Private Journal of Dr. William Comstock, Ph.D
Late 1940s

-1-

He woke abruptly, jostled to alertness by the screech of brakes and final recoil as the bus jerked to a stop. He was surprised to find that he had managed to fall asleep at all. The crowded bus included peasants with chickens, crying babies and a crush of people from all stations in life.

Dr. Comstock, glancing out the window, was dismayed to find the bus had not yet reached its destination. It was picking up more passengers, even though the aisle was now full. Several villagers squeezed up onto the steps, some hung out through the doors which had been left open. The bus lurched forward, gears grinding.

A small boy eating a mango placed a sticky hand on the rail in front of Comstock’s knee. Comstock smiled at the boy, but the boy turned his face away. Comstock was a stranger and a foreigner. The boy had been trained not to trust him.

Once more the bus screeched to a stop. This time he could see they had arrived. It was the last leg of his journey, descending to Cuernavaca from the high altitudes of Mexico City. He was eager to begin his work.

Dr. Comstock, a professor of anthropology at the University of Minnesota, had come to Mexico to locate the final resting place of Quetzlcoatl, the plumed serpent of Aztec legend. This was Comstock’s second research expedition in Mexico. He intended to develop contacts that would enable him to obtain funding for a longer trip the following year. Being Christmas break back home at the University, he could think of nothing better than being in Cuernavaca. While arctic winds chilled the Minnesota countryside, flowers remained perpetually in bloom here in the land of Eternal Spring. Red and coral bougainvillea, lavender jacaranda, flaming poinciana, and golden geraniums splashed the air with color and fragrance. The floral tapestry delighted his eyes in every direction that he looked.

His wife Adele had wanted to join him, but he balked at the idea. Her presence would interfere with his work, he said. He promised she would accompany him on next year’s trip if they could find caretakers to run the Eagle’s Nest, the bed and breakfast they owned and operated.

Comstock had an angular face with deep set eyes and thick, dark eyebrows. He wore his hair cropped short. He felt he looked too British to pass for Mexican, though occasionally it worked out that way because he tanned easily and well.

Exhausted from the journey and relieved to have arrived at all, he carried his baggage the two blocks from the bus station to the hotel.

-2-

Comstock sat at an outdoor cafe adjacent to the main plaza, El Zocalo, sipping a large concoction of jugo de tamarindo, a sweet thick juice squeezed from the brown, beanlike fruit of the tamarind tree. His third day in Mexico, he had become increasingly aware of the passage of time. He spent his first two days in leisurely excursions about the city, consumed with a curiosity similar to a boy turning over fallen logs in the woods seeking salamanders and snakes. Now he was becoming anxious about how to achieve his objective. The days would pass quickly. He berated himself for having already wasted two.

A small band of peasant musicians playing an assortment of primitive flutes, whistles and drums had gathered in the street in front of the cafe. A group of children began marching around in circles making whimsical movements, whimpering and bouncing like puppies overeager to see their masters. Another group of boys was working the tables selling Chiclets to the tourists.

Comstock recalled how the incessant begging had disturbed him during his first trip south of the border. By the time he left he had grown weary of the burros, mongrel dogs, roosters, strange smells, gritty eyeballs and clashing colors that seemed to throw themselves at him from every side. He was tempted to think that first trip had been a mistake and a preposterous waste of time.

Afterwards, however, Comstock missed Mexico immensely. He knew intuitively that one day he would return. He only needed an excuse. He found it in the legend of Quetzlcoatl, the plumed serpent.

According to native mythology Quetzlcoatl, also known as Yoalli ehecatl, was the third son of the Lord of Fire and Time. He was given to bring hope and light to the Nahuatl people in the same way his three brothers were given to three other peoples. When he betrayed his father, he was to be banished forever.

Comstock’s intent on this journey had been to find contacts who would be useful guides to the actual places where Quetzlcoatl was born, grew up, lived and died, even though legends said that the god/man simply “went away” and never died at all.

-3-

He was eighteen years old. Though his chest had yet to fill out Chuchui had reached his full stature, little more than 5 feet 6 inches tall like the other men of his tribe. He had light brown skin and the typical Aztec face with a prominent, hooked nose and dark brown almond-shaped eyes. His coarse, black hair had been cut with a fringe over the forehead. He allowed his hair to grow a bit longer in the back and on market days he tied it in a small pigtail with a piece of red twine.

Long before the crimson sun had burned the haze off the moist hills encircling his home, he had begun the trek to the marketplace in Cuernavaca, to sell the strips of beef jerky, leather goods and black pottery that were the commerce of his village.

Though but a youth, he'd seen much and thought much about what his life was about. He was not like his peers. An experience six years earlier had awakened in him a keen interest to embrace more of life than was offered in this remote village. The following summer, despite his father’s disapproval, he taught himself to read Spanish, even though it was not his native tongue.

“To be a Nahuatl is to be noble. We do not need the words of foreigners,” his father said on one occasion. On other occasions his father reminded him that he had a “call” on his life. “You belong to the Colos. You are too young to understand what this means. One day you will know that there is no higher calling.”

Chuchui took care to hide his books, but continued to read and to study the ideas outside his village.

When he was sixteen two men came to his village who called themselves communistas. They brought pieces of paper with words on them. No one could read the words on the paper except Chuchui and he read aloud the statements on the papers to the village elders. His father and the village leaders cursed the communistas, but Chuchui wondered at their ideas.

“A fool does not see the same tree that a wise man sees,” his father told him.

For years his mother grieved because she sensed that one day he would leave their village. The day Chuchui read these pamphlets from the communistas she knew that she had already lost her son.

-4-

From childhood Chuchui had been accustomed to hard physical work. Walking great distances to the marketplace, following the men and womenfolk and carrying a share of the goods as well, Chuchui had learned responsibility.

Chuchui’s father was a very proud man. He took great care to be deliberate in all his actions and always tried to move gracefully. His gestures when speaking were likewise grand and dignified. Chuchui observed all of this, and came to understand that for his father there was no greater achievement than to be a Nahuatl.

One day, Chuchui became ill and began to weaken. He tried to conceal his illness, but as the party of Indians padded down the hillside toward the city, the perspiration spread over him and his eyes began to glaze. When he could walk no further he squatted to rest. “What is it?” his sister Lanti asked.

Chuchui stared ahead as the small party of merchants continued away from them.

“You’re hot!” Lanti said abruptly, having placed her hand on his forehead. “How long have you been --”

Chuchui cut her off. “I will go to the market. It is not my place to be weak.” He stood uneasily, and they continued on toward the city.

When they reached the outskirts of Cuernavaca he stooped once more. “You go. I will follow soon,” he said to his sister.

Lanti had always been kind to him, but she was simple. He had no brother and there seemed no one with whom he could share his confused and burdensome thoughts. At times he wondered whether it were he or the gods who were blind. Nahuatl life was like the gouge a heel makes in the sand which is so soon washed away by the rain, leaving no mark. Twenty years or eighty, what matters when the mark is gone?

* * * * *

The marketplace was teeming with activity behind Cortez’s Palace. Dr. Comstock looked like a conquistador on the prow of a ship as he stood atop a thick wall there, feet planted the width of his shoulders, watching the orderly chaos. The large triangular scene resembled a flea market of sorts, but without the tables. The variety of goods exceeded comprehension -- food, clothing, poultry, medicinal herbs, eyeglasses, jewelry, pottery, trinkets, antiques, piňatas, crafts, toys, leather goods, shoes -- a little bit of everything, useful and otherwise. He glanced down at a rooster tied by one leg to a wooden crate. Normally it would have amused him, but today it depressed him. In some way he felt a little like that rooster who at first appeared to be free, but was bound.

Comstock watched the peasants set up their little booths and spaces for selling or trading wares. He was attracted to the dignity and cleanliness of the Nahuatl villagers in their distinctively simple white outfits. But his thoughts were elsewhere.

On his first trip to Mexico he had visited Taxco, and several of the other places where Quetzlcoatl had supposedly lived and ministered. Comstock had gone to the place where Quetzlcoatl had been baptized. He had even managed to locate a place where Quetzlcoatl had reputedly performed a miracle. But where was he last seen? Where had he died? Comstock could not get away from this question, nor could he find anyone who knew its answer.

Comstock turned away from the marketplace, pondered his next move. He walked north and turned left toward the main square. By the time he reached the Zocalo he was feeling very depressed. He didn’t have a plan. He’d thought he could just wing it, and was now fully conscious of his folly.

At that very moment, as he was feeling his lowest, a peasant Indian fell unconscious at his feet. “Borracho,” someone chuckled from behind him. (Borracho is the Spanish word for drunkard.)

The so-called borracho was dressed in the native whites of the Nahuatl. Comstock looked about, his expression an appeal for help, but the passersby avoided making eye contact. Comstock knelt and rolled the man over to make sure he was breathing. The native looked to be no more than a youth and had badly skinned the bridge of his nose. The native’s face was unpleasant to look at, moist with sweat, made filthy by dirt and grime from the street and the oozing blood from his scraped nose.

Comstock looked about once more but no one even seemed to be paying much attention. There were benches nearby where seated tourists were watching a scene in the park. A group of mariachis was gathering. An old man with a trumpet had now joined them.

Comstock called to a vendor from the nearby gazebo and asked for a glass of ice water, which the vendor remarkably brought right over. Comstock rubbed the native peasant’s nose with an ice chip and shook him gently. His head fell limp to this side and that, until the professor threw the glass of water directly into his face. The youth coughed once, then opened his eyes, sputtering words the American could not understand.

“Are you all right?” Comstock said.

Chuchui looked at him attentively, but cautiously, without making reply.

Comstock helped Chuchui to his feet. “Thank you,” Chuchui said in almost perfect English, whereupon he turned, walked briskly away and disappeared in through the door of a hacienda.

Comstock, looking confused, turned round in a complete circle, then sat down. Suddenly, he leaped to his feet and followed the young Nahuatl inside, but Chuchui was nowhere to be found.

“Have you seen the native,” Comstock asked one and then another hotel employee, but no one had an inkling what he was talking about.

That evening, while walking along the pasado that leads back to the park, Comstock saw him again. He recognized the skinned nose, the flat looking face. Comstock ran up to him and said hello. Chuchui frowned and turned away. “Where are you from?” Comstock asked, following him. Chuchui did not answer and Comstock kept on his tail. “What is your name?” Chuchui turned and squared off, facing the persistent American. “I no speak English.”

It was apparent Comstock had misjudged him. Chuchui’s “Thank you” earlier in the day had thrown him off. It was something he learned to say when doing business with Americans in the course of his work.

Undaunted, Comstock began to address him in Spanish. “Donde vas,” Comstock said, which means, “Where are you going?”

Chuchui shook his head, tried to speak but no words came. Suddenly his voice broke and he began to cry. This was not something Comstock had expected. Chuchui placed his palm on Comstock’s arm while his eyes scanned the square, darting here and there, as if he were afraid of something.

Comstock sensed the youth’s uneasiness. “I am from the United States. I am called William. How are you called?”

“I am Chuchui,” the youth said, nodding his head slightly as he said it. “We must talk now.”

-5- 

The American could see that the native, eager to talk, was also frightened. “Let’s go back to my hotel. Are you comfortable with that?”

Chuchui nodded and the two made their way back to the Posada Arcadia where Comstock had a room.

Once alone together, the native spoke with purposefulness. Comstock learned that Chuchui was not drunk, as passersby imagined, but had had a fever. He had been dizzy and ill for about a week. Strangely, the fever left him the moment he was awakened.

“Why are you in Mexico?” Chuchui asked the American.

“I teach at a university. I am here on a research project.”

There was a long pause. They were like card players. Chuchui held a card Comstock needed, but Comstock was unaware of it. At the same time, Chuchui hoped that Comstock held a card that he needed. Both were reluctant to show their hands.

“Do you believe in Fate, Mr. William.”

“William. Call me William.”

“All day I have pondered how it is that I came to fall into your hands. When the fever left me I was... confused. Today I have caused trouble to my family. I did not return to the marketplace. I have been walking and thinking. All day I have wondered.” He stopped.

“Go on,” Comstock said. There was something fragile about the boy standing here in this room, yet a disturbing depth and toughness as well. Comstock could not shake the impression that beneath the surface of this encounter there was some kind of treasure, something of value to be discovered, that the encounter may have been Providential.

“Do you know who I am?” Chuchui asked.

“You have told me. You are called Chuchui. You live here in Mexico. Your family trades in the marketplace.”

“Yes, but do you know who I am?”

“I am not sure what you mean.”

“At least you are honest. I am the last living male in a clan called the Colos. Have you never heard of the Colos?”

Comstock slowly shook his head.

“Of course not. How could you? You teach at a university and have so much knowledge, but do not know things that our people have known forever.” As he spoke his eyes glistened and his voice gained strength.

“And what is it you know, truly?” Comstock asked pointedly.

Chuchui avoided the question. “How much money do you have with you?”

Chuchui stood in the middle of the room facing Comstock who had seated himself on a corner of the bed. Alone in this room he suddenly feared becoming the victim of a robbery or an assault. Without changing his expression, Comstock sized up the native to determine if he could overpower him in a tussle.

“You have money?” Chuchui asked. “If I give you something valuable, you must give me something in return.”

“I have money,” Comstock said reluctantly.

“You must not be afraid of me. I am the one who should fear.”

Comstock sensed the truth in the youth’s words.

“Do you want to tell me about the Colos?”

“The scorpions?” Chuchui laughed as if he had made a clever joke. The name of his clan was the Colos, which means scorpions in Nahuatl.

Comstock didn’t get it.

Chuchui asked why Comstock had come to Mexico and the American said he was doing research on the life and death of Quetzlcoatl.

“Such a strange notion,” Chuchui jeered. “And what have you learned?”

“I believe there was a man who once lived among the Aztecs, who called himself Quetzlcoatl,” Comstock said. “I cannot believe he was a son of the gods, but I do believe there was once someone powerful, someone who lived in these parts who went by that name, or was given that name.”

“Go on,” Chuchui urged.

“He was called the Feathered Serpent, perhaps because he wore feathers and garments of snakeskin or something like that. In some legends he is called Our Young Prince. In most legends he betrayed his father somehow and was banished from his homeland. It was supposed that he never died, and promised one day to return to liberate his people from the power of death.”

“Interesting stories,” Chuchui said. “Do you believe all these things?”

“No. No, I do not believe these stories. I believe there was someone very important, and the evidence of it is deep in the culture here. I am confident that if one knew where to look they would find evidence that he has passed on.” Comstock unbuttoned the topmost button of his plaid shirt.

Chuchui stared at him without blinking. “You have heard many things and studied well. Do you recall hearing of a place called Mictlan?”

“Certainly,” Comstock said. “Mictlan is the place of the dead. Or at least one of the places people went when they died, according to the Aztecs. Warriors went to the sun, and some went to the rain god’s mountain.”

“Quetzlcoatl went to Mictlan,” Chuchui said matter-of-factly.

“Then it’s true, he’s dead.”

“I did not say he is dead. I only tell you that he went to Mictlan.” Comstock attempted to speak, but the youth waved his hand. “Silence!” Then he told how all the legends about Quetzlcoatl were a cloud of mists designed to frustrate outsiders from learning the truth. Chuchui said that only a small handful of Nahuatl know the real truth, that a single clan has been entrusted with the secret truth regarding the bones of Quetzlcoatl. This clan, his clan Chuchui says, is called the Colos, which means Scorpions.

Chuchui shared how many of the places came to be named as they were. For example, the suffix “tlan” means “place near an abundance of.” Acatlan, therefore, means “place near an abundance of reeds,” because the word for reed is “aca”. Mazatlan means “place near an abundance of deer.” Chuchui’s village was called Colotlan, “place near an abundance of scorpions.”

The professor leaned forward, interrupted again. “You mean the Nahuatl deliberately tell lies about Quetzlcoatl to confuse historians, to hide the truth?”

“It is not the Nahuatl who tell lies. It is one clan of Nahua peoples. My clan, the Colos. We lie to preserve the truth. It is our mission.”

Comstock stood and began to pace. Of this moment he later wrote in his journal, “No wonder it is so difficult to know what is true and what is pure fabrication with these people.”

“Why have you come to tell me all this?” Comstock asked casually, taking great pains to restrain his excitement over these things. Questions were zinging through his head like bottle rockets the little boys had been firing in the street the night before.

“I am taking a great risk, you must understand.” Chuchui narrowed his eyes so that they became slits. Explaining it seemed impossible to him. It was the wrong question, because the answer was too complicated. Whether today, next month or next year, one day he would leave his people. Perhaps Comstock was not the one who would help him, but he refused to let the moment pass without making some attempt to try. If Comstock could not help him, perhaps the next American might.

He once read that each man who longs for a thing with all his heart obtains the thing he longs for by sheer force of desire. Is this how the gods answer our prayers, he wondered, by putting longings in our hearts and granting their fulfillment?

Their encounter had been a strange one. He had been delirious, fell unconscious in the street. Upon waking, he saw this face directly before him, this foreign face. It was not difficult for him to believe that fate had had a hand. As a consequence, he acted on this conviction. It was an intuitive leap.

“Tomorrow I will bring you to the place of the dead,” the youth stated simply. “I will meet you in Tepoztlán. From there we will go to see the scorpions.”

“What do you mean, see the scorpions?”

“I cannot say more than this. When you come, you will see and experience imatini.”

“What is.... imatini?” Comstock asked. The game was beginning to annoy him.

“It is our word for knowing. I can tell you stories, but they mean nothing. For the Nahuatl what matters only is imatini; first hand knowledge.” Chuchui spoke as if he had just shared a sacred truth.

“How will I find you?” Comstock asked.

Chuchui turned. While opening the door to leave he said, “I will be waiting at the monastery.” The door closed with a clack. Comstock scratched at his chin, then slowly unbuttoned his shirt, loosened his belt and began preparing for bed.

* * * *

Meantime, life goes on all around you. Open your eyes!

Thursday, May 18, 2017

Throwback Thursday: eBooks Abound

THIS BLOG POST ORIGINALLY APPEARED IN 2011

Thursday, the Huffington Post published an article by Amy Edelman that called Indie eBooks the "Gateway Drug" to traditional publishing. Here's the opening, Edelman's article in blue, my comments in blood red:

Gone are the days when a writer had to spend hours hunched over a stack of query letters,

>>>Been there, done that<<<

...only to have their hopes dashed months later with the arrival of an unsigned form letter.

>>>I could wallpaper my office with this stuff<<<

Today, thanks entirely to the creation of the e-reader (yay Jeff Bezos!),

>>>Yay, Jeff Bezos<<<

there's no longer a need for authors to deal with middle men. For less than what it costs to buy a book, an author can jump directly to the end game: formatting their titles, uploading them to a sales site and finding actual readers.

>>>You still have to purchase an ISBN, but hey, thatz-ok.<<<

Edelman goes on to explain that for many writers the prize is still out there in the traditional publishing world, but for the time being getting readers satisfies an important need. Not only are eBook authors still looking for conventional publishers, the publishers themselves are combing the ranks of independent authors to find their next round of author heroes.

Edelman is founder of the website IndieReader.com which lists the top selling eBooks each week.

In other news: The Tulare County Library has gone digital and is doing away with late fees — on ebook downloads. If you have a Nook, more and more libraries are making these new digital works available just like regular books. The local libraries here will become accessible on Kindles by the end of the year.

I asked my publisher TJ Lind to write up some instructions on how to read eBooks via other platforms when you don't have the official Kindle or Nook reading devices. Here's a short piece he wrote up, aptly titled eBooks All Around.

eBooks All Around!
In a previous article, “eBook Supremacy,” I had mentioned that part of eBook success is due to the ability for customers to “buy once, read everywhere.” If one were to download a book on a Kindle or Nook they could read the first few chapters on their eReader before bed, then another few chapters on their phone during their commute, another few chapters on their iPad during lunch break, and read some more on their computer during down time at work! Moreover, some readers do not realize that they do not need to own a Kindle or Nook to read books from their respective stores. There is a Kindle app for every major platform; iOS, Android, Blackberry, Windows, and Mac. Chances are the device you are reading this article on is able to download.

The download process differs depending on which platform one is using. Users with Apple products need only to search for “Kindle” or “Nook” in the App store. Same goes for Android and Blackberry users. If one wants to download the Kindle or Nook apps on a computer, simply navigate to the Kindle Store on Amazon, and select “Kindle Reading Apps” in the left hand column.

Once the app is downloaded, it will present instructions to download eBooks
. Now your books will be synced between your devices!

Edelman ends her HuffPost piece with this challenge: So next week, after you've finished the Times crossword puzzle, why not try a new game? See if you can discover (and pass on!) the next great indie book...before a traditional publisher beats you to it!

>>>Hint: The Red Scorpion.<<<

Thursday, March 10, 2016

Throwback Thursday: A Shout Out to Dan Hansen

From the journals of Dr. Comstock
The other day I got an email from Dan Hansen in which he shared another one of his daily Drivel Chats. It began like this:

Today is 3-7 at 1:54 AM. I will be turning 37 on Thursday the 10th. 3+7 = 10. 1+5+4 = 10. What strange omen could this be? 10 is completion of a cycle. Extracting meaning out of a meaningless moment brought me the spark of inspiration needed to write my next entry. Yes I am turning 37. This was the year van Gogh shot himself in the chest and died shortly after. This was the 3rd milestone I've reached. The first milestone was 27. I beat the 27 club.

Today is the tenth, and it is his 37th birthday. Indeed. Rather than select just one blog entry for Throwback Thursday today, I thought I'd share several. We met as a result of our mutual interest in the arts and later began a friendship that deepened when we discovered many other mutual interests.

This is a link to his 2012 art exhibition at the PRØVE Gallery here.

In January 2015 we did a follow up.

Here's a blog post from a visit last year around this time.

This past December I was granted permission to share a dream/nightmare that he had written down, or rather, dictated.

Dan created the illustrations on this page to accompany a film treatment we were working on, attempting to adapt my Young Adult novel The Red Scorpion into a film. Even if nothing comes of it, we had tremendous fun developing characters and potential storylines.

Meantime, this is my shout out to Dan.... You're a great guy and you are much appreciated. Happy Birthday, mon. And here's a tip: the secret to long life is to keep having more birthdays.


The Red Scorpion and the Journals of Dr. Comstock are fictional creations.

Friday, September 26, 2014

Nine Books By Ed Newman

Bob Dylan in Minnesota
Although this is not a book I wrote entirely myself, I did contribute seven chapters. Most Dylan fans  know that 
Bob Dylan was born here in Duluth, grew up in Hibbing and cut his musical teeth in the folk scene of Dinkytown in the Twin Cities's Midway.

This travel guide brings together stories from these key locations as well as the roots and early life of Bob Dylan. You will also introduce you to four Minnesota contributors who live in Dylan’s homeland and play an active part in promoting everything Dylan.

Thus far the book has received a number of positive reviews. It is available locally at Zenith Books in West Duluth. Otherwise you can find it here online.

 *
The Red Scorpion
--- My haunted house story with a supernatural twist. Lord of the Flies meets Stephen King. One Amazon reviewer called it "a good mystery/suspense/science fiction thriller... carefully crafted and realistically portrayed." A Nook reader wrote, "This book kept me reading straight through till the end. It kept me guessing and wondering what would happen next."

BEST VALUE: $2.99 here on Kindle



* * * *
CHILDREN'S PICTURE BOOK, AGES 6-9
A Remarkable Tale from the Land of Podd
The good people of Podd are a strange lot. Everyone in the kingdom thinks himself or herself to be somehow odd or weird—and considers everyone else to be perfectly normal. Some worry they have funny hair; others don’t like the shape of their noses; and still more think their eyes look strange.

When an enemy threatens to march his army into Podd, the king (who thinks he has very odd-looking feet) looks for a hero to defend the country. But everyone he asks refuses to lead Podd’s army, arguing their problems make them too weird to save the kingdom. Will the citizens of Podd learn to accept themselves for who they are and find the courage to defend the realm, or are the land of Podd and its people doomed?

Written by Ed Newman and illustrated by Ian Welshons, A Remarkable Tale from the Land of Podd uses wry Seussian humor, rhyme, and captivating illustrations to teach an important lesson about self-awareness and self-worth. No matter how we perceive ourselves, we can make the most of what we’ve got—and others probably won’t even notice what we don’t like about ourselves anyway.

Ideal for children in 1st through 4th grade, though engaging for all ages. Do you have nieces, nephews, grandchildren or children of your own? Makes a great gift. Is available signed and at a discount if you know me personally. 

Available at Amazon.


SHORT STORY COLLECTIONS
Unremembered Histories
This book contains some of my favorite short stories. 
The paranormal becomes the common denominator in these six original tales. An Amazon.com reviewer wrote, "If you value the short-story form, written in a way that entertains, informs, and prompts you to think, then there's a lot to appreciate in this little gem."

In the 1990's one of my favorite stories, Duel of the Poets, was translated into Croatian to be a cornerstone for a poetry site there.

NOW AVAILABLE IN PRINT and as an eBook at Amazon.com

Newmanesque
Newmanesque is my second collection of original short fiction. This set of stories includes The M Zone, A Poem About Truth, The Unfinished Stories of Richard Allen Garston, The Nose, and Terrorists Preying, which has been translated into French by Aude Fondard. One reader of these stories wrote, “My very first impression is that there's a certain style in some ways similar to Franz Kafka which is good and intense… very mysterious for one doesn't know where the whole thing is going to go, but it's sure that there's a message to be captured from the many moments stated in the short sentences that are all poignant to the story."

Purchase a Kindle version of the book here.
ONLY $.99 but worth every penny.

The Breaking Point and Other Stories
This, my third collection of short stories, features my winning 1991 Arrowhead Regional Fiction Competition story "The Breaking Point" plus four other stories. The stories here are more conventional, with the usual twists. One reader wrote that the stories "contain insight into relationships" with "subject matter regarding love relationship's emotions, expectations, illusions, and delusions in the most mundane characters." In the midst of their ordinary lives there is a decisive extraordinary event.

Available as an eBook on Amazon.com here.


Especially For Homeschoolers 
Writing Exercises
How to Teach Writing and Prepare Your Favorite Students for College, Life and Everything Else.
Good writing skills are essential to success. This book outlines my philosophy for teaching writing which I nearly guarantee will make a difference in your child’s life. This is a book originally written to help home school teachers but is actually for anyone interested in helping kids improve their writing skills. Essentially the book offers an original teaching approach that helps unstop critical barriers that inhibit young students. The exercises are designed to teach critical skills and tactics, and to make writing fun.

AVAILABLE HERE ON AMAZON

Free STEAMPUNK/SCI FI eBook Intergalactica
In the spring of 2012 I was involved in an exhilarating collaborative art project called Artist Kamikaze IV. This was my second year and I was initially paired with clothing artist Patricia Mahnke. The project we undertook was ambitious so we didn't waste any time meeting to outline a plan. What we decided was to create a character and costume, whom I would then paint. Eventually this evolved into two characters and costumes.

As the project evolved we had the good fortune of being able to obtain a third partner, Kate Dupre, who brought photography and Photoshop skills to the project. I found the completed project so cool that I felt it shouldn't be such a temporary piece. With assistance I had the story and images re-assembled into an eBook which is available Free on iTunes.

You can read the beginning of the story here without downloading.

* * * *

Reflections from the North Country, 2007 – 2015
Notes, observations and impressions about the music, art and life of the Northland’s Bob Dylan

Reflections is a compilation of all my Dylan-themed blog posts from 2007 to December 2015. A reference librarian from the Duluth Public Library asked if I might like to have my blog posts about Bob Dylan bound and placed in the permanent archives. The library routinely collects and preserves books by local authors for posterity, but in this case not only would it be a collection of blog posts by a local author, the subject matter was Dylan and Dylan is, naturally, a Duluth Native Son.

Although this 2-volume set is not for sale, it can be found in the biography section of the Duluth Public Library along with numerous other books on Bob. As time permits, look for volume three sometime within the next year.

* * * *

Meantime, keep reading. Books are  a gateway to life.

Popular Posts